There's fatigue but also a deliberate desire to want to reach absolute perfection at every concert.

There's the false security of feeling a great force of love from your audience one day and then the next morning you wake up and you're exhausted, and that love is something you have to reach for the next day.

We always have a basic structure for a piece of music, but we encourage the musicians to elaborate on whatever they feel at that particular moment. There's a definite conversation happening on stage. I think it is very important for us as creative musicians, to instantaneously describe any energy that is visible at that time.

The words are in my own internal language, and mean more than I could ever explain.

With touring, it's like you're in this car and you've got this much fuel. You know that if you drive carefully and take your time and search your way so that you don't take the wrong turn, you'll have exactly enough fuel to go where you're going. You are empowered as you go by your audience.

Music is a place to take refuge. It's a sanctuary from mediocrity and boredom. It's innocent and it's a place you can lose yourself in thoughts, memories and intricacies.

Silence is so important when you're working, You must have periods where you don't hear anything, just to reflect on you've already done. Otherwise you traumatize your relationship with the piece that you're working on.

The second and sometimes most important part of the creative process is performing it live, so that the work can evolve to a different level and it is also important to make that connection with your audience as they are the reason why you make this work in the first place.

A true collaboration is trickier than a marriage because you can't hide.

There's something extremely fragile about musicians, and that's their strength.