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Once George Washington said, I have to step down the so the country can move on.
Lin-Manuel Miranda
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Lin-Manuel Miranda
Age: 44
Born: 1980
Born: January 16
Actor
Composer
Film Director
Librettist
Lyricist
Playwright
Rapper
Singer
Songwriter
Stage Actor
Theatrical Director
Translator
Washington Heights
New York
LMM
Washington
Step
Move
Moving
Country
George
More quotes by Lin-Manuel Miranda
The problem is I got a lot of brains but no polish.
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Ed Koch once said that New York City is where immigrants come to audition for America. That's what happened to my parents that's what happened to me.
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It's an enormous relief to go to work and be an actor and not be worried about writing.
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No one wants to hear me crooning a ballad.
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[Opetaia Foa'i] brought in the melody and the lyrics, but the lyrics were in Tokelauan, and so, we talked about what it could mean and whether this could be the ancestor song. So, I started writing English lyrics to sort of the same melody.
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Sebastian, en EspaƱol, is a bad ass name.
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I feel like style is like accent. You don't hear it on yourself, and then everyone's like, man, you got a strong accent.
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I'm not going to hang out with celebrities, I'm not going to parties. I have two songs due for Moana next week, and I'm going to go and spend some time with Maui and Moana in the ocean, in my mind.
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I'm just like my country, I'm young, scrappy and hungry, and I'm not throwing away my shot.
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Tuesdays and Thursdays, I didn't do any press, I didn't do any meetings, I just wrote all day, 'cause I'd meet, via Skype, with the creative team, at five p.m., and then I would have my seven o'clock curtain.
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The distance between where I am and where I want to be seems impossibly large.
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With every word, I drop knowledge. I'm a diamond in the rough, a shiny piece of coal trying to reach my goal.
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When you're dealing with a constant rhythm, no matter how great your lyrics are, if you don't switch it up, people's heads are going to start bobbing. And they're going to stop listening to what you're saying, so consistently keep the ear fresh and keep the audience surprised.
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I think I started writing because no one had ever told me you can write about the things you know in a musical. They don't have to come from some far off place.
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I have two wonderful, supportive and very practical parents who were like, you're really talented and really creative. You should be a lawyer because there's a safe path there. And I knew that I was never going to be a lawyer. And I knew that I wanted to make movies, and I wanted to write shows.
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I got to fall in love. I got to win a war. I got to write words that inspired a nation.
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It's hard to pick. I mean, I think the one that is most emblematic of the collaboration that occurred is We Know The Way. That's the first song we wrote for the movie [Moana]. We actually got it written that weekend in New Zealand, so we're all in New Zealand, we're all absorbing this culture, and Opetaia [Foa'i] brought it in.
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I'm a diamond in the rough, a shiny piece of coal trying to reach my goal.
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I loved musicals. I loved being in the school play and being lucky enough to get parts in the school play. But they always took place in some other time and place.
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Disney's really incredible on story.
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