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With every word, I drop knowledge. I'm a diamond in the rough, a shiny piece of coal trying to reach my goal.
Lin-Manuel Miranda
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Lin-Manuel Miranda
Age: 44
Born: 1980
Born: January 16
Actor
Composer
Film Director
Librettist
Lyricist
Playwright
Rapper
Singer
Songwriter
Stage Actor
Theatrical Director
Translator
Washington Heights
New York
LMM
Goal
Diamond
Knowledge
Coal
Trying
Rough
Every
Drop
Piece
Reach
Pieces
Word
Shiny
More quotes by Lin-Manuel Miranda
I just remembered when I was an adolescent girl wanting to leave my island and find my calling.
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I've had a little Hollywood experience, and there's nothing like the Disney story experience.
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I'm not trying to make something that is difficult to perform every night. It needs to proceed at the speed of that character's thought because that's the only way it's actable.
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I got the job [in Moana project] about six months before we started rehearsals. No, seven and a half months before we started at the Public, and so, it's been my ocean of calm throughout the Hamilton phenomenon.
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We get the job done. So what happens if we win?
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I'm not going to hang out with celebrities, I'm not going to parties. I have two songs due for Moana next week, and I'm going to go and spend some time with Maui and Moana in the ocean, in my mind.
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The problem is I got a lot of brains but no polish.
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It's an enormous relief to go to work and be an actor and not be worried about writing.
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I got the job [in Moana], and the next day I was on a plane to New Zealand, where the rest of the team was already doing research, and meeting with different choirs, and sort of really soaking up the music, the musical world of, the musical heritage of this part of the world.
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Sebastian, en EspaƱol, is a bad ass name.
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I remind myself Vincent van Gogh died without having sold a single painting. Like, art is not measured by the trappings that people attached to it. It's the thing itself, and so, as you know, it's been a dream of mine to write songs for Disney, and so, it's really exciting to finally hear. It's two and a half years.
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I had the good fortune of being 9 years old when The Little Mermaid came out, that whole run of really beautiful Disney musicals, and so, the fact that I got to interview with Ron [Clements] and John [Musker], who directed The Little Mermaid, I was, like, I just walked in and said, You're the reason I'm even here.
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No one wants to hear me crooning a ballad.
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I got to fall in love. I got to win a war. I got to write words that inspired a nation.
Lin-Manuel Miranda
[Opetaia Foa'i] brought in the melody and the lyrics, but the lyrics were in Tokelauan, and so, we talked about what it could mean and whether this could be the ancestor song. So, I started writing English lyrics to sort of the same melody.
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When you're dealing with a constant rhythm, no matter how great your lyrics are, if you don't switch it up, people's heads are going to start bobbing. And they're going to stop listening to what you're saying, so consistently keep the ear fresh and keep the audience surprised.
Lin-Manuel Miranda
The distance between where I am and where I want to be seems impossibly large.
Lin-Manuel Miranda
I'm a diamond in the rough, a shiny piece of coal trying to reach my goal.
Lin-Manuel Miranda
I think I started writing because no one had ever told me you can write about the things you know in a musical. They don't have to come from some far off place.
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Tuesdays and Thursdays, I didn't do any press, I didn't do any meetings, I just wrote all day, 'cause I'd meet, via Skype, with the creative team, at five p.m., and then I would have my seven o'clock curtain.
Lin-Manuel Miranda