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I've had a little Hollywood experience, and there's nothing like the Disney story experience.
Lin-Manuel Miranda
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Lin-Manuel Miranda
Age: 44
Born: 1980
Born: January 16
Actor
Composer
Film Director
Librettist
Lyricist
Playwright
Rapper
Singer
Songwriter
Stage Actor
Theatrical Director
Translator
Washington Heights
New York
LMM
Littles
Little
Nothing
Like
Disney
Hollywood
Story
Experience
Stories
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I think one of the things that makes theater special is first of all, it's one of the last places you put your phone away. And second of all, it's one of the last places where we all have a common experience together.
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I remind myself Vincent van Gogh died without having sold a single painting. Like, art is not measured by the trappings that people attached to it. It's the thing itself, and so, as you know, it's been a dream of mine to write songs for Disney, and so, it's really exciting to finally hear. It's two and a half years.
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I had the good fortune of being 9 years old when The Little Mermaid came out, that whole run of really beautiful Disney musicals, and so, the fact that I got to interview with Ron [Clements] and John [Musker], who directed The Little Mermaid, I was, like, I just walked in and said, You're the reason I'm even here.
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My kid gets me out of bed in the morning.
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Well, hello. My name is Lin. But if you're dyslexic, call me Nil.
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The theater should always be a safe space.
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I'm the music guy, I get to wear the music hat, but being able to be that guy in the room is a thrill at this level and caliber.
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I think every writer's had the experience of having a really good idea, waiting to write it, and then once you write it, you're like, Oh I kind of got past the sell by date on this. I'm not connected to the initial spark that was the idea. A lot of that's about staying open.
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I still look at that water, and I look at Moana's hair, and I'm just like, How is this even happening? It's such an incredible mix of technical mastery and wizardry. It's really incredible. It's layers and layers and layers. It's not unlike building a musical. It's really pretty cool.
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I feel like style is like accent. You don't hear it on yourself, and then everyone's like, man, you got a strong accent.
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I just remembered when I was an adolescent girl wanting to leave my island and find my calling.
Lin-Manuel Miranda
Tuesdays and Thursdays, I didn't do any press, I didn't do any meetings, I just wrote all day, 'cause I'd meet, via Skype, with the creative team, at five p.m., and then I would have my seven o'clock curtain.
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My rhymes are gonna kill, so I suggest you write your will and leave your [expletive] to me.
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I loved musicals. I loved being in the school play and being lucky enough to get parts in the school play. But they always took place in some other time and place.
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It's an enormous relief to go to work and be an actor and not be worried about writing.
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I'm just like my country, I'm young, scrappy and hungry, and I'm not throwing away my shot.
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I got the job [in Moana project] about six months before we started rehearsals. No, seven and a half months before we started at the Public, and so, it's been my ocean of calm throughout the Hamilton phenomenon.
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My sister is as responsible for anyone for giving me good taste in music.
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