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Tuesdays and Thursdays, I didn't do any press, I didn't do any meetings, I just wrote all day, 'cause I'd meet, via Skype, with the creative team, at five p.m., and then I would have my seven o'clock curtain.
Lin-Manuel Miranda
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Lin-Manuel Miranda
Age: 44
Born: 1980
Born: January 16
Actor
Composer
Film Director
Librettist
Lyricist
Playwright
Rapper
Singer
Songwriter
Stage Actor
Theatrical Director
Translator
Washington Heights
New York
LMM
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Press
Tuesdays
Five
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Thursday
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Seven
Tuesday
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More quotes by Lin-Manuel Miranda
It's an enormous relief to go to work and be an actor and not be worried about writing.
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I still look at that water, and I look at Moana's hair, and I'm just like, How is this even happening? It's such an incredible mix of technical mastery and wizardry. It's really incredible. It's layers and layers and layers. It's not unlike building a musical. It's really pretty cool.
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I just remembered when I was an adolescent girl wanting to leave my island and find my calling.
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I think every writer's had the experience of having a really good idea, waiting to write it, and then once you write it, you're like, Oh I kind of got past the sell by date on this. I'm not connected to the initial spark that was the idea. A lot of that's about staying open.
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I feel like style is like accent. You don't hear it on yourself, and then everyone's like, man, you got a strong accent.
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I had the good fortune of being 9 years old when The Little Mermaid came out, that whole run of really beautiful Disney musicals, and so, the fact that I got to interview with Ron [Clements] and John [Musker], who directed The Little Mermaid, I was, like, I just walked in and said, You're the reason I'm even here.
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I'm past patiently waitin,' I'm passionately smashin' every expectation, every action's an act of creation.
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My sister is as responsible for anyone for giving me good taste in music.
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Don't be shocked when your history book mentions me.
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I got to holler just to be heard.
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Sebastian, en EspaƱol, is a bad ass name.
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I got to fall in love. I got to win a war. I got to write words that inspired a nation.
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Once George Washington said, I have to step down the so the country can move on.
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I think you balance the things you've been dying to do all your life. And the opportunities that come along, that you didn't maybe think of, that are so amazing, that you'd kick yourself if you didn't try to be a part of them.
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I got the job [in Moana], and the next day I was on a plane to New Zealand, where the rest of the team was already doing research, and meeting with different choirs, and sort of really soaking up the music, the musical world of, the musical heritage of this part of the world.
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I got the job [in Moana project] about six months before we started rehearsals. No, seven and a half months before we started at the Public, and so, it's been my ocean of calm throughout the Hamilton phenomenon.
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I loved musicals. I loved being in the school play and being lucky enough to get parts in the school play. But they always took place in some other time and place.
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I'm the music guy, I get to wear the music hat, but being able to be that guy in the room is a thrill at this level and caliber.
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When you're dealing with a constant rhythm, no matter how great your lyrics are, if you don't switch it up, people's heads are going to start bobbing. And they're going to stop listening to what you're saying, so consistently keep the ear fresh and keep the audience surprised.
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If you think in terms of topping, you're in the wrong business. You can't think that way.
Lin-Manuel Miranda