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It's got to feel, the pulse has to feel like this part of the world, the instrumentation has to be true to that, and so, between him, [composer] Mark Mancina and myself, we really chased that, while serving our story Moana].
Lin-Manuel Miranda
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Lin-Manuel Miranda
Age: 44
Born: 1980
Born: January 16
Actor
Composer
Film Director
Librettist
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Playwright
Rapper
Singer
Songwriter
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Theatrical Director
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Washington Heights
New York
LMM
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Mark
World
Story
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Stories
Instrumentation
Part
Chased
Feel
Pulse
More quotes by Lin-Manuel Miranda
My kid gets me out of bed in the morning.
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I got to holler just to be heard.
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I read reviews, I'm not going to lie to y'all. Like you know, I'll read 'em, but then, the next day I'm able to sort of shrug them off. But if something sort of sticks the next day, there's probably something to it. I just sort of really try to trust my gut on, on all that stuff.
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Ed Koch once said that New York City is where immigrants come to audition for America. That's what happened to my parents that's what happened to me.
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The theater should always be a safe space.
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I'm past patiently waitin,' I'm passionately smashin' every expectation, every action's an act of creation.
Lin-Manuel Miranda
With every word, I drop knowledge.
Lin-Manuel Miranda
I had the good fortune of being 9 years old when The Little Mermaid came out, that whole run of really beautiful Disney musicals, and so, the fact that I got to interview with Ron [Clements] and John [Musker], who directed The Little Mermaid, I was, like, I just walked in and said, You're the reason I'm even here.
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When you're dealing with a constant rhythm, no matter how great your lyrics are, if you don't switch it up, people's heads are going to start bobbing. And they're going to stop listening to what you're saying, so consistently keep the ear fresh and keep the audience surprised.
Lin-Manuel Miranda
I think every writer's had the experience of having a really good idea, waiting to write it, and then once you write it, you're like, Oh I kind of got past the sell by date on this. I'm not connected to the initial spark that was the idea. A lot of that's about staying open.
Lin-Manuel Miranda
[Opetaia Foa'i] brought in the melody and the lyrics, but the lyrics were in Tokelauan, and so, we talked about what it could mean and whether this could be the ancestor song. So, I started writing English lyrics to sort of the same melody.
Lin-Manuel Miranda
I still look at that water, and I look at Moana's hair, and I'm just like, How is this even happening? It's such an incredible mix of technical mastery and wizardry. It's really incredible. It's layers and layers and layers. It's not unlike building a musical. It's really pretty cool.
Lin-Manuel Miranda
I'm just like my country, I'm young, scrappy and hungry, and I'm not throwing away my shot.
Lin-Manuel Miranda
It's hard to pick. I mean, I think the one that is most emblematic of the collaboration that occurred is We Know The Way. That's the first song we wrote for the movie [Moana]. We actually got it written that weekend in New Zealand, so we're all in New Zealand, we're all absorbing this culture, and Opetaia [Foa'i] brought it in.
Lin-Manuel Miranda
I feel like style is like accent. You don't hear it on yourself, and then everyone's like, man, you got a strong accent.
Lin-Manuel Miranda
I think you balance the things you've been dying to do all your life. And the opportunities that come along, that you didn't maybe think of, that are so amazing, that you'd kick yourself if you didn't try to be a part of them.
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I got the job [in Moana project] about six months before we started rehearsals. No, seven and a half months before we started at the Public, and so, it's been my ocean of calm throughout the Hamilton phenomenon.
Lin-Manuel Miranda
Disney's really incredible on story.
Lin-Manuel Miranda
The problem is I got a lot of brains but no polish.
Lin-Manuel Miranda
I just remembered when I was an adolescent girl wanting to leave my island and find my calling.
Lin-Manuel Miranda
