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I had the good fortune of being 9 years old when The Little Mermaid came out, that whole run of really beautiful Disney musicals, and so, the fact that I got to interview with Ron [Clements] and John [Musker], who directed The Little Mermaid, I was, like, I just walked in and said, You're the reason I'm even here.

Lin-Manuel Miranda

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Lin-Manuel Miranda
Age: 44
Born: 1980
Born: January 16
Actor
Composer
Film Director
Librettist
Lyricist
Playwright
Rapper
Singer
Songwriter
Stage Actor
Theatrical Director
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Washington Heights
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LMM
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Good
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Mermaid
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Musicals
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Fact
Disney

More quotes by Lin-Manuel Miranda

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I remind myself Vincent van Gogh died without having sold a single painting. Like, art is not measured by the trappings that people attached to it. It's the thing itself, and so, as you know, it's been a dream of mine to write songs for Disney, and so, it's really exciting to finally hear. It's two and a half years.
Lin-Manuel Miranda
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I'm just like my country, I'm young, scrappy and hungry, and I'm not throwing away my shot.
Lin-Manuel Miranda
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The theater should always be a safe space.
Lin-Manuel Miranda
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Tuesdays and Thursdays, I didn't do any press, I didn't do any meetings, I just wrote all day, 'cause I'd meet, via Skype, with the creative team, at five p.m., and then I would have my seven o'clock curtain.
Lin-Manuel Miranda
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My sister is as responsible for anyone for giving me good taste in music.
Lin-Manuel Miranda
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I read reviews, I'm not going to lie to y'all. Like you know, I'll read 'em, but then, the next day I'm able to sort of shrug them off. But if something sort of sticks the next day, there's probably something to it. I just sort of really try to trust my gut on, on all that stuff.
Lin-Manuel Miranda
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I think one of the things that makes theater special is first of all, it's one of the last places you put your phone away. And second of all, it's one of the last places where we all have a common experience together.
Lin-Manuel Miranda
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My rhymes are gonna kill, so I suggest you write your will and leave your [expletive] to me.
Lin-Manuel Miranda
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The problem is I got a lot of brains but no polish.
Lin-Manuel Miranda
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I'm not trying to make something that is difficult to perform every night. It needs to proceed at the speed of that character's thought because that's the only way it's actable.
Lin-Manuel Miranda
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With every word, I drop knowledge.
Lin-Manuel Miranda
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I think every writer's had the experience of having a really good idea, waiting to write it, and then once you write it, you're like, Oh I kind of got past the sell by date on this. I'm not connected to the initial spark that was the idea. A lot of that's about staying open.
Lin-Manuel Miranda
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It's got to feel, the pulse has to feel like this part of the world, the instrumentation has to be true to that, and so, between him, [composer] Mark Mancina and myself, we really chased that, while serving our story Moana].
Lin-Manuel Miranda
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It's hard to pick. I mean, I think the one that is most emblematic of the collaboration that occurred is We Know The Way. That's the first song we wrote for the movie [Moana]. We actually got it written that weekend in New Zealand, so we're all in New Zealand, we're all absorbing this culture, and Opetaia [Foa'i] brought it in.
Lin-Manuel Miranda
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I feel like style is like accent. You don't hear it on yourself, and then everyone's like, man, you got a strong accent.
Lin-Manuel Miranda
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I'm a diamond in the rough, a shiny piece of coal trying to reach my goal.
Lin-Manuel Miranda
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I have two wonderful, supportive and very practical parents who were like, you're really talented and really creative. You should be a lawyer because there's a safe path there. And I knew that I was never going to be a lawyer. And I knew that I wanted to make movies, and I wanted to write shows.
Lin-Manuel Miranda
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I'm the music guy, I get to wear the music hat, but being able to be that guy in the room is a thrill at this level and caliber.
Lin-Manuel Miranda
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I got the job [in Moana], and the next day I was on a plane to New Zealand, where the rest of the team was already doing research, and meeting with different choirs, and sort of really soaking up the music, the musical world of, the musical heritage of this part of the world.
Lin-Manuel Miranda
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[Opetaia Foa'i] brought in the melody and the lyrics, but the lyrics were in Tokelauan, and so, we talked about what it could mean and whether this could be the ancestor song. So, I started writing English lyrics to sort of the same melody.
Lin-Manuel Miranda