Quote

I'm not going to hang out with celebrities, I'm not going to parties. I have two songs due for Moana next week, and I'm going to go and spend some time with Maui and Moana in the ocean, in my mind.

Lin-Manuel Miranda

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Lin-Manuel Miranda
Age: 44
Born: 1980
Born: January 16
Actor
Composer
Film Director
Librettist
Lyricist
Playwright
Rapper
Singer
Songwriter
Stage Actor
Theatrical Director
Translator
Washington Heights
New York
LMM
Mind
Songs
Time
Spend
Week
Maui
Party
Celebrities
Song
Parties
Next
Hang
Two
Dues
Going
Ocean

More quotes by Lin-Manuel Miranda

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I'm just like my country, I'm young, scrappy and hungry, and I'm not throwing away my shot.
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I'm the music guy, I get to wear the music hat, but being able to be that guy in the room is a thrill at this level and caliber.
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It's got to feel, the pulse has to feel like this part of the world, the instrumentation has to be true to that, and so, between him, [composer] Mark Mancina and myself, we really chased that, while serving our story Moana].
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My sister is as responsible for anyone for giving me good taste in music.
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I feel like style is like accent. You don't hear it on yourself, and then everyone's like, man, you got a strong accent.
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I remind myself Vincent van Gogh died without having sold a single painting. Like, art is not measured by the trappings that people attached to it. It's the thing itself, and so, as you know, it's been a dream of mine to write songs for Disney, and so, it's really exciting to finally hear. It's two and a half years.
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[Opetaia Foa'i] brought in the melody and the lyrics, but the lyrics were in Tokelauan, and so, we talked about what it could mean and whether this could be the ancestor song. So, I started writing English lyrics to sort of the same melody.
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Once George Washington said, I have to step down the so the country can move on.
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I got to fall in love. I got to win a war. I got to write words that inspired a nation.
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I think I started writing because no one had ever told me you can write about the things you know in a musical. They don't have to come from some far off place.
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I just remembered when I was an adolescent girl wanting to leave my island and find my calling.
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I got to holler just to be heard.
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Tuesdays and Thursdays, I didn't do any press, I didn't do any meetings, I just wrote all day, 'cause I'd meet, via Skype, with the creative team, at five p.m., and then I would have my seven o'clock curtain.
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I got the job [in Moana], and the next day I was on a plane to New Zealand, where the rest of the team was already doing research, and meeting with different choirs, and sort of really soaking up the music, the musical world of, the musical heritage of this part of the world.
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I still look at that water, and I look at Moana's hair, and I'm just like, How is this even happening? It's such an incredible mix of technical mastery and wizardry. It's really incredible. It's layers and layers and layers. It's not unlike building a musical. It's really pretty cool.
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I'm a diamond in the rough, a shiny piece of coal trying to reach my goal.
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Disney's really incredible on story.
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I'm not trying to make something that is difficult to perform every night. It needs to proceed at the speed of that character's thought because that's the only way it's actable.
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I read reviews, I'm not going to lie to y'all. Like you know, I'll read 'em, but then, the next day I'm able to sort of shrug them off. But if something sort of sticks the next day, there's probably something to it. I just sort of really try to trust my gut on, on all that stuff.
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With every word, I drop knowledge. I'm a diamond in the rough, a shiny piece of coal trying to reach my goal.
Lin-Manuel Miranda