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I got the job [in Moana project] about six months before we started rehearsals. No, seven and a half months before we started at the Public, and so, it's been my ocean of calm throughout the Hamilton phenomenon.

Lin-Manuel Miranda

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Lin-Manuel Miranda
Age: 44
Born: 1980
Born: January 16
Actor
Composer
Film Director
Librettist
Lyricist
Playwright
Rapper
Singer
Songwriter
Stage Actor
Theatrical Director
Translator
Washington Heights
New York
LMM
Ocean
Rehearsal
Months
Phenomenon
Started
Project
Public
Throughout
Half
Six
Jobs
Calm
Seven
Rehearsals
Projects
Hamilton

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I just remembered when I was an adolescent girl wanting to leave my island and find my calling.
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I read reviews, I'm not going to lie to y'all. Like you know, I'll read 'em, but then, the next day I'm able to sort of shrug them off. But if something sort of sticks the next day, there's probably something to it. I just sort of really try to trust my gut on, on all that stuff.
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Tuesdays and Thursdays, I didn't do any press, I didn't do any meetings, I just wrote all day, 'cause I'd meet, via Skype, with the creative team, at five p.m., and then I would have my seven o'clock curtain.
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Ed Koch once said that New York City is where immigrants come to audition for America. That's what happened to my parents that's what happened to me.
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I'm a diamond in the rough, a shiny piece of coal trying to reach my goal.
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I loved musicals. I loved being in the school play and being lucky enough to get parts in the school play. But they always took place in some other time and place.
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I got the job [in Moana], and the next day I was on a plane to New Zealand, where the rest of the team was already doing research, and meeting with different choirs, and sort of really soaking up the music, the musical world of, the musical heritage of this part of the world.
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My sister is as responsible for anyone for giving me good taste in music.
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Well, hello. My name is Lin. But if you're dyslexic, call me Nil.
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Sebastian, en Español, is a bad ass name.
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No one wants to hear me crooning a ballad.
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I had the good fortune of being 9 years old when The Little Mermaid came out, that whole run of really beautiful Disney musicals, and so, the fact that I got to interview with Ron [Clements] and John [Musker], who directed The Little Mermaid, I was, like, I just walked in and said, You're the reason I'm even here.
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I've had a little Hollywood experience, and there's nothing like the Disney story experience.
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The distance between where I am and where I want to be seems impossibly large.
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If you think in terms of topping, you're in the wrong business. You can't think that way.
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My power of speech, unimpeachable. Only 19 but my mind is older.
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I have two wonderful, supportive and very practical parents who were like, you're really talented and really creative. You should be a lawyer because there's a safe path there. And I knew that I was never going to be a lawyer. And I knew that I wanted to make movies, and I wanted to write shows.
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I'm not going to hang out with celebrities, I'm not going to parties. I have two songs due for Moana next week, and I'm going to go and spend some time with Maui and Moana in the ocean, in my mind.
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The theater should always be a safe space.
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We get the job done. So what happens if we win?
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