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Ed Koch once said that New York City is where immigrants come to audition for America. That's what happened to my parents that's what happened to me.
Lin-Manuel Miranda
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Lin-Manuel Miranda
Age: 44
Born: 1980
Born: January 16
Actor
Composer
Film Director
Librettist
Lyricist
Playwright
Rapper
Singer
Songwriter
Stage Actor
Theatrical Director
Translator
Washington Heights
New York
LMM
Come
Immigrants
York
City
Parents
Cities
Parent
Koch
Happened
Audition
America
Auditions
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Disney's really incredible on story.
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I'm the music guy, I get to wear the music hat, but being able to be that guy in the room is a thrill at this level and caliber.
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When you're dealing with a constant rhythm, no matter how great your lyrics are, if you don't switch it up, people's heads are going to start bobbing. And they're going to stop listening to what you're saying, so consistently keep the ear fresh and keep the audience surprised.
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I think I started writing because no one had ever told me you can write about the things you know in a musical. They don't have to come from some far off place.
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I got the job [in Moana], and the next day I was on a plane to New Zealand, where the rest of the team was already doing research, and meeting with different choirs, and sort of really soaking up the music, the musical world of, the musical heritage of this part of the world.
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I have two wonderful, supportive and very practical parents who were like, you're really talented and really creative. You should be a lawyer because there's a safe path there. And I knew that I was never going to be a lawyer. And I knew that I wanted to make movies, and I wanted to write shows.
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I got to fall in love. I got to win a war. I got to write words that inspired a nation.
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I'm just like my country, I'm young, scrappy and hungry, and I'm not throwing away my shot.
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I just remembered when I was an adolescent girl wanting to leave my island and find my calling.
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I've had a little Hollywood experience, and there's nothing like the Disney story experience.
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If you think in terms of topping, you're in the wrong business. You can't think that way.
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I think every writer's had the experience of having a really good idea, waiting to write it, and then once you write it, you're like, Oh I kind of got past the sell by date on this. I'm not connected to the initial spark that was the idea. A lot of that's about staying open.
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I read reviews, I'm not going to lie to y'all. Like you know, I'll read 'em, but then, the next day I'm able to sort of shrug them off. But if something sort of sticks the next day, there's probably something to it. I just sort of really try to trust my gut on, on all that stuff.
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I think one of the things that makes theater special is first of all, it's one of the last places you put your phone away. And second of all, it's one of the last places where we all have a common experience together.
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I think you balance the things you've been dying to do all your life. And the opportunities that come along, that you didn't maybe think of, that are so amazing, that you'd kick yourself if you didn't try to be a part of them.
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I got the job [in Moana project] about six months before we started rehearsals. No, seven and a half months before we started at the Public, and so, it's been my ocean of calm throughout the Hamilton phenomenon.
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The problem is I got a lot of brains but no polish.
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