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Failure in the theater is more dramatic and uglier than any other form of writing. It costs so much, you feel so guilty.
Lillian Hellman
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Lillian Hellman
Age: 79 †
Born: 1905
Born: June 20
Died: 1984
Died: September 30
Actor
Author
Autobiographer
Librettist
Playwright
Screenwriter
Writer
New Orleans
Louisiana
Lillian Florence Hellman
Much
Guilty
Theater
Failure
Cost
Form
Feel
Uglier
Feels
Costs
Writing
Dramatic
More quotes by Lillian Hellman
Fashions in sin change.
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some people are democrats by choice, and some by necessity.
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The world is out of shapewhen there are hungry men.
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Drinking makes uninteresting people matter less and late at night, matter not at all.
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Rebels seldom make good revolutionaries, because organized action, even union with other people, is not possible for them.
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I'm too old to recover, too narrow to forgive myself.
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For every man who lives without freedom, the rest of us must face the guilt.
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Lonely. I always thought loneliness meant alone, without people. It means something else.
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Intellectuals can tell themselves anything, sell themselves any bill of goods, which is why they were so often patsies for the ruling classes in 19th-century France and England, or 20th-century Russia and America.
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My mother was dead for five years before I knew that I had loved her very much.
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Guilt is often an excuse for not thinking.
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It {France} may be the only country in the world where the rich are sometimes brilliant.
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We all lead more pedestrian lives than we think we do. The boiling of an egg is sometimes more important than the boiling of a love affair in the end.
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Advances are made by those with at least a touch of irrational confidence in what they can do.
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I cannot and will not cut my conscience to fit this year's fashions, even though I long ago came to the conclusion that I was not a political person and could have no comfortable place in any political group.
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Courtesy is breeding. Breeding is an excellent thing. Always remember that.
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You can always spot clothes made in a good place.
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Statisticians do it with confidence, frequency and variation
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failure in the theater is more public, more brilliant, more unreal than in any other field.
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I cannot and will not cut my conscience to fit this year's fashions.
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