Quote

Only when I make movements away from the tribe of indie art and literature. Maybe that's something important for me to keep thinking about. What you gain, what you lose, why and how. Maybe the edge of the page is the place for me. Maybe that's OK.

Lidia Yuknavitch

Change background

T
T
T

Change font

TAGS & TOPICS

Lidia Yuknavitch
Age: 61
Born: 1963
Born: June 18
Author
Writer
San Francisco County
California
Indie
Keep
Gains
Tribe
Art
Pages
Tribes
Place
Lose
Movements
Important
Movement
Edge
Something
Loses
Make
Maybe
Page
Thinking
Literature
Edges
Away
Gain

More quotes by Lidia Yuknavitch

Image
Memoirs have at their heart a content that happened to someone in real life. Is that what you are itching at in your question, so that if you are a reviewer or you are writing a critique you might feel as if you are stepping on someone's actual face?
Lidia Yuknavitch
Image
In water, like in books—you can leave your life.
Lidia Yuknavitch
Image
If I hadn't spent a big chunk of time in academia I might not have the depth of consciousness I do about ideas like that. I might think, for instance, that Freud was no big deal in terms of the shape of social organization then or now. I might think that the discourses of politics and law are real and stable and fair.
Lidia Yuknavitch
Image
I don't have any problem understanding why people flunk out of college or quit their jobs or cheat on each other or break the law or spray-paint walls. A little bit outside of things is where some people feel each other. We do it to replace the frame of family. We do it to erase and remake our origins in their own images. To say, I too was here.
Lidia Yuknavitch
Image
The maternal impulse in animals to protect their young - that kind of instinct and subsequent violence is quite beautiful. Mythic even.
Lidia Yuknavitch
Image
I've noticed over the past years of my writerly life that women writers in particular are discouraged in cleverly disguised forms from including the intellectual in their creative material way more than you would believe.
Lidia Yuknavitch
Image
I don't have much interest in writing if there are not opportunities to crack open the inherited forms. The writing I love to read most does this as well. I'm a form junkie.
Lidia Yuknavitch
Image
So yes I know how angry, or naive, or self-destructive, or messed up, or even deluded I sound weaving my way through these life stories at times. But beautiful things. Graceful things. Hopeful things can sometimes appear in dark places.
Lidia Yuknavitch
Image
We live through sound and light—through our technologies.
Lidia Yuknavitch
Image
Words carry oceans on their small backs.
Lidia Yuknavitch
Image
Birth is of course violent. Menstruation is violent. Trust me, if men's penises opened up once a month and shot blood, we'd be hearing about the violence of it.
Lidia Yuknavitch
Image
Poetry, for example, goes so deeply into the space between corporeal affect and deep emotion (even primal in some cases) that, as Emily Dickinson said, it can blow the top of your head off. Poetic language is sometimes misunderstood as abstract when in reality, it's precise - precisely the language of emotions and the body.
Lidia Yuknavitch
Image
The memoir as a somewhat indistinct form is absolutely true. So many of the memoirs I've read, and the ones I have gravitated toward most, somehow upend what I expect from memoir and the project seems greater than just the exposition of a life.
Lidia Yuknavitch
Image
I just want my stories to be mine.
Lidia Yuknavitch
Image
The convention of the coming-of-age story and the love story were literally abandoned - because they had to be - and a new kind of coming-of-age and love story emerged that required a different kind of telling the story.
Lidia Yuknavitch
Image
I drop to the curb like childhood leaving a body.
Lidia Yuknavitch
Image
Make up stories until you find one you can live with.
Lidia Yuknavitch
Image
Though I consider The Chronology of Water to be an anti-memoir for very precise reasons, it is an art form, and thus as open to critique as any other art form. Memoir has a form, formal strategies, issues of composition and craft, style, structure, all the elements of fiction or nonfiction or painting or music or what have you.
Lidia Yuknavitch
Image
The rocks. They carry the chronology of water. All things simultaneously living and dead in your hands.
Lidia Yuknavitch
Image
To be honest, we live in an exciting time where form is concerned. My sincerest hope is that more people will notice this and agree to play and invent - the only way to not succumb to the complacency and market-driven schlock of the present tense is to continually interrogate it from the inside out.
Lidia Yuknavitch