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I love the walking contradiction of the body. I want to make corporeal characters, corporeal writing, I want to bring the intensities and contradictions and beauty and violence and stench and desire and astonishing physicality of the body back into literature.

Lidia Yuknavitch

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Lidia Yuknavitch
Age: 61
Born: 1963
Born: June 18
Author
Writer
San Francisco County
California
Character
Contradiction
Body
Characters
Intensities
Back
Walking
Stench
Writing
Violence
Corporeal
Make
Bring
Physicality
Love
Beauty
Contradictions
Literature
Astonishing
Desire
Intensity

More quotes by Lidia Yuknavitch

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I don't have much interest in writing if there are not opportunities to crack open the inherited forms. The writing I love to read most does this as well. I'm a form junkie.
Lidia Yuknavitch
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Your life doesn’t happen in any kind of order. Events don’t have cause and effect relationships the way you wish they did. It’s all a series of fragments and repetitions and pattern formations. Language and water have this in common.
Lidia Yuknavitch
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In water, like in books—you can leave your life.
Lidia Yuknavitch
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Though I consider The Chronology of Water to be an anti-memoir for very precise reasons, it is an art form, and thus as open to critique as any other art form. Memoir has a form, formal strategies, issues of composition and craft, style, structure, all the elements of fiction or nonfiction or painting or music or what have you.
Lidia Yuknavitch
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The practice of employing metaphor and image and composition and linguistic choices to move the reader through the content.
Lidia Yuknavitch
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So yes I know how angry, or naive, or self-destructive, or messed up, or even deluded I sound weaving my way through these life stories at times. But beautiful things. Graceful things. Hopeful things can sometimes appear in dark places.
Lidia Yuknavitch
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Memoirs have at their heart a content that happened to someone in real life. Is that what you are itching at in your question, so that if you are a reviewer or you are writing a critique you might feel as if you are stepping on someone's actual face?
Lidia Yuknavitch
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The maternal impulse in animals to protect their young - that kind of instinct and subsequent violence is quite beautiful. Mythic even.
Lidia Yuknavitch
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The convention of the coming-of-age story and the love story were literally abandoned - because they had to be - and a new kind of coming-of-age and love story emerged that required a different kind of telling the story.
Lidia Yuknavitch
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The rocks. They carry the chronology of water. All things simultaneously living and dead in your hands.
Lidia Yuknavitch
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As far as being territorial about one's own life, that's a mistake for ANY writer. All writers everywhere, in every genre, are drawing from their life and the lives of those around them for material. Memoirs just make transparent and even amplify that activity.
Lidia Yuknavitch
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Because rage and violence are human emotions and drives and capacities that inhabit us all. SEE CARL JUNG. Or that hipster Joseph Campbell. Because we all take archetypal journeys in a million ways - literal, symbolic, you name it - that figure, disfigure, and refigure violence.
Lidia Yuknavitch
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To be honest, we live in an exciting time where form is concerned. My sincerest hope is that more people will notice this and agree to play and invent - the only way to not succumb to the complacency and market-driven schlock of the present tense is to continually interrogate it from the inside out.
Lidia Yuknavitch
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Birth is of course violent. Menstruation is violent. Trust me, if men's penises opened up once a month and shot blood, we'd be hearing about the violence of it.
Lidia Yuknavitch
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Words carry oceans on their small backs.
Lidia Yuknavitch
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Poetry, for example, goes so deeply into the space between corporeal affect and deep emotion (even primal in some cases) that, as Emily Dickinson said, it can blow the top of your head off. Poetic language is sometimes misunderstood as abstract when in reality, it's precise - precisely the language of emotions and the body.
Lidia Yuknavitch
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Have endless patterns and repetitions accompanying your thoughtlessness, as if to say let go of that other more linear story, with its beginning, middle, and end, with its transcendent end, let go, we are the poem, we have come miles of life, we have survived this far to tell you, go on, go on.
Lidia Yuknavitch
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I don't have any problem understanding why people flunk out of college or quit their jobs or cheat on each other or break the law or spray-paint walls. A little bit outside of things is where some people feel each other. We do it to replace the frame of family. We do it to erase and remake our origins in their own images. To say, I too was here.
Lidia Yuknavitch
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I just want my stories to be mine.
Lidia Yuknavitch
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If I hadn't spent a big chunk of time in academia I might not have the depth of consciousness I do about ideas like that. I might think, for instance, that Freud was no big deal in terms of the shape of social organization then or now. I might think that the discourses of politics and law are real and stable and fair.
Lidia Yuknavitch