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The line between outside and inside is fuzzier in fantasy. Maybe that's something people are looking for.

Lev Grossman

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Lev Grossman
Age: 55
Born: 1969
Born: June 26
Journalist
Literary Critic
Novelist
Science Fiction Writer
Writer
Lexington
Massachusetts
Fantasy
People
Line
Outside
Inside
Lines
Maybe
Looking
Something

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Stop looking for the next secret door that is going to lead you to your real life. Stop waiting. This is it: there's nothing else.
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Though the funny thing about never being asked for anything is that after a while you start to feel like maybe you don’t have anything worth giving.
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You don't want to move toward some utopian literary situation where everybody's free of all conventions. That's ridiculous! Conventions are what you need. You have nothing to break down if you don't have conventions.
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He wasn't surprised. He was used to this anticlimactic feeling, where by the time you've done all the work to get something you don't even want it anymore.
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It was strange to be naked in front of anybody. It was like that cold water out there in the bay: scary, you didn’t think you could stand it, but then you plunged in and pretty soon you got used to it. There was enough hiding in life. Sometimes you just wanted to show somebody your tits.
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As a writer I'm more drawn to villains who are just slightly mad.
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The new Web is a very different thing. It's a tool for bringing together the small contributions of millions of people and making them matter. Silicon Valley consultants call it Web 2.0, as if it were a new version of some old software. But it's really a revolution.
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You're saying the gods don't have free will. The power to make mistakes, Penny said. Only we have that. Mortals
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I'm happy to report that 'The New Press' is still in business to this day. But not thanks to me. I was a really bad publishing intern.
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I went to college at Harvard, then did three years of graduate school at Yale. At both places I studied comparative literature. People find it odd that I went to both Harvard and Yale, and I guess it is odd, but that's just what people did where I grew up.
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I read a lot of literary theory when I was in graduate school, especially about novels, and the best book I ever read about endings was Peter Brooks' 'Reading for the Plot. '
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Supposedly I've got traces of an English accent, though I can't hear it. I must have inherited it from my mother, who's English, and then I think it was exacerbated by the fact that I live with an Australian.
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Don't take anyone's writing advice too seriously.
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Maybe there's a sense that technology isn't necessarily the answer to a lot of our problems. Fantasy offers readers a less radically alienated world - a world where desires and feelings that normally are trapped inside your mind are made real in the form of magic.
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I have spent many, many hours reading J.K. Rowling's work. I am a known 'Harry Potter' fan.
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It's wonderful to play around with fantasy, because there are an amazing number of as-yet-unbroken rules out there.
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A magician is strong because he feels the pain between what the world is and what he would make of it.
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I mean, when you're tired of book reviews, you're tired of life.
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The truth doesn't always make a good story, does it?
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I'm not one of your knockabout, knuckle-scarred, Internet-controversy-courting book critics. Occasionally I stumble into controversy accidentally, but not because I enjoy it. It's probably just because I'm a weird person.
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