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Magic is wild, dangerous stuff. You never realize how useful limitations are until it's much too late.

Lev Grossman

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Lev Grossman
Age: 55
Born: 1969
Born: June 26
Journalist
Literary Critic
Novelist
Science Fiction Writer
Writer
Lexington
Massachusetts
Never
Wild
Late
Magic
Realize
Dangerous
Realizing
Limitations
Stuff
Limitation
Much
Useful

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Everybody wanted to be the hero of their own story. Nobody wanted to be comic relief.
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The problem with growing up is that once you're grown up, the people who aren't grown up aren't fun anymore.
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A novel with a bad middle is a bad book. A bad ending is something I've just gotten in the habit of forgiving.
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Genuinely social people never ceased to amaze him. Their brains seemed to generate an inexhaustible fund of things to say, naturally, with no effort, out of nothing at all.
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Book tours are excellent things, and one is lucky to get to go on one, but they have a way of leeching away one's will to live.
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It turns out that there is something that can compete with free: easy.
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That was the thing about the world: it wasn't that things were harder than you thought they were going to be, it was that they were hard in ways that you didn't expect.
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That’s what death did, it treated you like a child, like everything you had ever thought and done and cared about was just a child’s game, to be crumpled up and thrown away when it was over. It didn’t matter. Death didn’t respect you. Death thought you were bullshit, and it wanted to make sure you knew it.
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A magician is strong because he feels the pain between what the world is and what he would make of it.
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Supposedly I've got traces of an English accent, though I can't hear it. I must have inherited it from my mother, who's English, and then I think it was exacerbated by the fact that I live with an Australian.
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I mean, when you're tired of book reviews, you're tired of life.
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It's very important, at least to me as a writer, that there be some rules on the table when I'm writing. Rules come from genres. You're writing in a genre, there are rules, which is great because then you can break the rules. That's when really exciting things happen.
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I went to college at Harvard, then did three years of graduate school at Yale. At both places I studied comparative literature. People find it odd that I went to both Harvard and Yale, and I guess it is odd, but that's just what people did where I grew up.
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Quentin had an obsolete sailing ship that had been raised from the dead. He had psychotically effective swordsman and an enigmatic witch-queen. It wasn't the Fellowship of the Ring, but then again he wasn't trying to save the world from Sauron, he was trying to perform a tax audit on a bunch of hick islanders.
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Though the funny thing about never being asked for anything is that after a while you start to feel like maybe you don’t have anything worth giving.
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I read a lot of literary theory when I was in graduate school, especially about novels, and the best book I ever read about endings was Peter Brooks' 'Reading for the Plot. '
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Some of the comments on YouTube make you weep for the future of humanity just for the spelling alone, never mind the obscenity and the naked hatred.
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The new Web is a very different thing. It's a tool for bringing together the small contributions of millions of people and making them matter. Silicon Valley consultants call it Web 2.0, as if it were a new version of some old software. But it's really a revolution.
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There is really no end to life's little humiliations.
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