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I don't know if I've ever derived such an immediate sense of calm and well-being from any book as I did from 'Right Ho, Jeeves.' It was like I was Pac-Man and the book was a power-up.

Lev Grossman

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Lev Grossman
Age: 55
Born: 1969
Born: June 26
Journalist
Literary Critic
Novelist
Science Fiction Writer
Writer
Lexington
Massachusetts
Like
Sense
Power
Ever
Wells
Book
Pacs
Well
Derived
Right
Immediate
Men
Calm

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Some of the comments on YouTube make you weep for the future of humanity just for the spelling alone, never mind the obscenity and the naked hatred.
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I mean, when you're tired of book reviews, you're tired of life.
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I read a lot of literary theory when I was in graduate school, especially about novels, and the best book I ever read about endings was Peter Brooks' 'Reading for the Plot. '
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I recognize that on paper, you can't really tell that I'm a fan or a nerd.
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Everybody wanted to be the hero of their own story. Nobody wanted to be comic relief.
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Until now, I've been a kind of binge-writer - I'll carve out five or six hours on a weekend day and make a large container of espresso and just bang out a lot of words.
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It's natural for a child to assume that his or her own childhood is unremarkable.
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I've only read three books by Stephen King. When I was 10 I read 'The Long Walk,' one of his pseudonymous Bachman books. In my early 20s, while trapped on a family vacation, I read 'The Dark Half,' which taught me a word I have never forgotten: psychopomp. Now I have read '11/22/63.'
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That was the thing about the world: it wasn't that things were harder than you thought they were going to be, it was that they were hard in ways that you didn't expect.
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The problem with growing up is that once you're grown up, the people who aren't grown up aren't fun anymore.
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It's very important, at least to me as a writer, that there be some rules on the table when I'm writing. Rules come from genres. You're writing in a genre, there are rules, which is great because then you can break the rules. That's when really exciting things happen.
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Read everything. If you haven't read everything, you'll never be able to write anything.
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You don't want to move toward some utopian literary situation where everybody's free of all conventions. That's ridiculous! Conventions are what you need. You have nothing to break down if you don't have conventions.
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Young minds - young brains - need stories and ideas like the ones in those [censored and banned] books in order to grow. They need ideas that you disagree with. They need ideas that I disagree with. Or they'll never be able to figure out what ideas they believe in.
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Book tours are excellent things, and one is lucky to get to go on one, but they have a way of leeching away one's will to live.
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It was strange to be naked in front of anybody. It was like that cold water out there in the bay: scary, you didn’t think you could stand it, but then you plunged in and pretty soon you got used to it. There was enough hiding in life. Sometimes you just wanted to show somebody your tits.
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There is really no end to life's little humiliations.
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I'm happy to report that 'The New Press' is still in business to this day. But not thanks to me. I was a really bad publishing intern.
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The real world is horrible.
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Every year the literary press praises dozens if not hundreds of novels to the skies, asserting explicitly or implicitly that these books will probably not be suffering water damage in the basements of their authors' houses 20 years from now. But historically, anyway, that's not the way the novelistic ecology works.
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