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A magician is strong because he feels the pain between what the world is and what he would make of it.

Lev Grossman

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Lev Grossman
Age: 55
Born: 1969
Born: June 26
Journalist
Literary Critic
Novelist
Science Fiction Writer
Writer
Lexington
Massachusetts
Strong
Feels
Make
Would
World
Magician
Pain

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You're all so obsessed with other worlds, you're so convinced that this one is crap and everywhere else is great, but you've never bothered to figure out what's going on here!
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Magic is wild, dangerous stuff. You never realize how useful limitations are until it's much too late.
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It's very important, at least to me as a writer, that there be some rules on the table when I'm writing. Rules come from genres. You're writing in a genre, there are rules, which is great because then you can break the rules. That's when really exciting things happen.
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He wasn't surprised. He was used to this anticlimactic feeling, where by the time you've done all the work to get something you don't even want it anymore.
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It's wonderful to play around with fantasy, because there are an amazing number of as-yet-unbroken rules out there.
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The problem with growing up is that once you're grown up, the people who aren't grown up aren't fun anymore.
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Book tours are excellent things, and one is lucky to get to go on one, but they have a way of leeching away one's will to live.
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I don't know if I've ever derived such an immediate sense of calm and well-being from any book as I did from 'Right Ho, Jeeves.' It was like I was Pac-Man and the book was a power-up.
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It was so much easier to be angry. Being angry made him feel strong, even though-- and this contradiction did nothing to diminish his anger-- he was angry only because his position was so weak.
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Don't take anyone's writing advice too seriously.
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It's a terrible thing for a book, when you feel like you're supposed to like it.
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The paradox of the English country house is that its state of permanent decline, the fact that its heyday is always behind it, is part of the seduction, just as it is part of the seduction of books in general.
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I mean, when you're tired of book reviews, you're tired of life.
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Every year the literary press praises dozens if not hundreds of novels to the skies, asserting explicitly or implicitly that these books will probably not be suffering water damage in the basements of their authors' houses 20 years from now. But historically, anyway, that's not the way the novelistic ecology works.
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It's natural for a child to assume that his or her own childhood is unremarkable.
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My ultimate goal is to drive people back to the books, when I think of an adaptation.
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It's a great thing when you feel that you recognize yourself, deeply and movingly, in a work of literature.
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It was strange to be naked in front of anybody. It was like that cold water out there in the bay: scary, you didn’t think you could stand it, but then you plunged in and pretty soon you got used to it. There was enough hiding in life. Sometimes you just wanted to show somebody your tits.
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You're saying the gods don't have free will. The power to make mistakes, Penny said. Only we have that. Mortals
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