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You don't want to move toward some utopian literary situation where everybody's free of all conventions. That's ridiculous! Conventions are what you need. You have nothing to break down if you don't have conventions.
Lev Grossman
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Lev Grossman
Age: 55
Born: 1969
Born: June 26
Journalist
Literary Critic
Novelist
Science Fiction Writer
Writer
Lexington
Massachusetts
Free
Conventions
Literary
Moving
Ridiculous
Nothing
Toward
Need
Move
Needs
Break
Everybody
Situation
Utopian
More quotes by Lev Grossman
Supposedly I've got traces of an English accent, though I can't hear it. I must have inherited it from my mother, who's English, and then I think it was exacerbated by the fact that I live with an Australian.
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Careful what you hunt, lest you catch it.
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It's wonderful to play around with fantasy, because there are an amazing number of as-yet-unbroken rules out there.
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Oddly, the meanings of books are defined for me much more by their beginnings and middles than they are by their endings.
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Though the funny thing about never being asked for anything is that after a while you start to feel like maybe you don’t have anything worth giving.
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Don't take anyone's writing advice too seriously.
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Until now, I've been a kind of binge-writer - I'll carve out five or six hours on a weekend day and make a large container of espresso and just bang out a lot of words.
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Magic is wild, dangerous stuff. You never realize how useful limitations are until it's much too late.
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I guess I was raised in a household with a lot of reverence for the physical sanctity of books. You didn't destroy books.
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You didn’t get the quest you wanted, you got the one you could do.
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Magic: it was what happened when the mind met the world, and the mind won for a change.
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It was strange to be naked in front of anybody. It was like that cold water out there in the bay: scary, you didn’t think you could stand it, but then you plunged in and pretty soon you got used to it. There was enough hiding in life. Sometimes you just wanted to show somebody your tits.
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The problem with growing up is that once you're grown up, the people who aren't grown up aren't fun anymore.
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The new Web is a very different thing. It's a tool for bringing together the small contributions of millions of people and making them matter. Silicon Valley consultants call it Web 2.0, as if it were a new version of some old software. But it's really a revolution.
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I recognize that on paper, you can't really tell that I'm a fan or a nerd.
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Every year the literary press praises dozens if not hundreds of novels to the skies, asserting explicitly or implicitly that these books will probably not be suffering water damage in the basements of their authors' houses 20 years from now. But historically, anyway, that's not the way the novelistic ecology works.
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I went to college at Harvard, then did three years of graduate school at Yale. At both places I studied comparative literature. People find it odd that I went to both Harvard and Yale, and I guess it is odd, but that's just what people did where I grew up.
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Young minds - young brains - need stories and ideas like the ones in those [censored and banned] books in order to grow. They need ideas that you disagree with. They need ideas that I disagree with. Or they'll never be able to figure out what ideas they believe in.
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The danger would be going back, or staying still. The only way out was through. The past was ruins, but the present was still in play.
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In a way fighting was just like using magic. You said the words, and they altered the universe. By merely speaking you could create damage and pain, cause tears to fall, drive people away, make yourself feel better, make your life worse.
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