Quote

I feel that's one of the central questions of fantasy. What did we lose when we entered the 20th and 21st century, and how can we mourn what we lost, and what can we replace it with? We're still asking those questions in an urgent way.

Lev Grossman

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Lev Grossman
Age: 55
Born: 1969
Born: June 26
Journalist
Literary Critic
Novelist
Science Fiction Writer
Writer
Lexington
Massachusetts
Way
Lose
Mourn
Loses
Entered
Century
Replace
Lost
Urgent
Stills
Central
Still
Fantasy
Feel
Questions
Feels
Asking

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It's natural for a child to assume that his or her own childhood is unremarkable.
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Read everything. If you haven't read everything, you'll never be able to write anything.
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I feel very conscious of my influences. T.H. White is very important for me.
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It's time to live with what we have and mourn what we lost.
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Don't take anyone's writing advice too seriously.
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I've only read three books by Stephen King. When I was 10 I read 'The Long Walk,' one of his pseudonymous Bachman books. In my early 20s, while trapped on a family vacation, I read 'The Dark Half,' which taught me a word I have never forgotten: psychopomp. Now I have read '11/22/63.'
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Being a writer can be isolating. It's good to be among readers and booksellers.
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There is really no end to life's little humiliations.
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In a way fighting was just like using magic. You said the words, and they altered the universe. By merely speaking you could create damage and pain, cause tears to fall, drive people away, make yourself feel better, make your life worse.
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People - me included - want to get excited about books. Good books are a good thing.
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He wasn't surprised. He was used to this anticlimactic feeling, where by the time you've done all the work to get something you don't even want it anymore.
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I don't know if I've ever derived such an immediate sense of calm and well-being from any book as I did from 'Right Ho, Jeeves.' It was like I was Pac-Man and the book was a power-up.
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His whole personality was like an elaborate joke that he never stopped telling.
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It was so much easier to be angry. Being angry made him feel strong, even though-- and this contradiction did nothing to diminish his anger-- he was angry only because his position was so weak.
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I read a lot of literary theory when I was in graduate school, especially about novels, and the best book I ever read about endings was Peter Brooks' 'Reading for the Plot. '
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The paradox of the English country house is that its state of permanent decline, the fact that its heyday is always behind it, is part of the seduction, just as it is part of the seduction of books in general.
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How often have I met and disliked writers whose books I love and conversely, hated the books and then wound up liking the writer? Too often.
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The problem with growing up is that once you're grown up, the people who aren't grown up aren't fun anymore.
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It was strange to be naked in front of anybody. It was like that cold water out there in the bay: scary, you didn’t think you could stand it, but then you plunged in and pretty soon you got used to it. There was enough hiding in life. Sometimes you just wanted to show somebody your tits.
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Some of the comments on YouTube make you weep for the future of humanity just for the spelling alone, never mind the obscenity and the naked hatred.
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