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I feel that's one of the central questions of fantasy. What did we lose when we entered the 20th and 21st century, and how can we mourn what we lost, and what can we replace it with? We're still asking those questions in an urgent way.
Lev Grossman
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Lev Grossman
Age: 55
Born: 1969
Born: June 26
Journalist
Literary Critic
Novelist
Science Fiction Writer
Writer
Lexington
Massachusetts
Still
Fantasy
Feel
Questions
Feels
Asking
Way
Lose
Mourn
Loses
Entered
Century
Replace
Lost
Urgent
Stills
Central
More quotes by Lev Grossman
The real problem with being around James was that he was always the hero. And what did that make you? Either the sidekick or the villain.
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The line between outside and inside is fuzzier in fantasy. Maybe that's something people are looking for.
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I guess I was raised in a household with a lot of reverence for the physical sanctity of books. You didn't destroy books.
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It's very important, at least to me as a writer, that there be some rules on the table when I'm writing. Rules come from genres. You're writing in a genre, there are rules, which is great because then you can break the rules. That's when really exciting things happen.
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His whole personality was like an elaborate joke that he never stopped telling.
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Supposedly I've got traces of an English accent, though I can't hear it. I must have inherited it from my mother, who's English, and then I think it was exacerbated by the fact that I live with an Australian.
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Don't take anyone's writing advice too seriously.
Lev Grossman
I feel very conscious of my influences. T.H. White is very important for me.
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There's a special gut-check moment the first time you write a scene in which somebody casts a spell.
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A magician is strong because he feels the pain between what the world is and what he would make of it.
Lev Grossman
We have lived too long. The great days are past.
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I'm happy to report that 'The New Press' is still in business to this day. But not thanks to me. I was a really bad publishing intern.
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Though the funny thing about never being asked for anything is that after a while you start to feel like maybe you don’t have anything worth giving.
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The truth doesn't always make a good story, does it?
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It's a great thing when you feel that you recognize yourself, deeply and movingly, in a work of literature.
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I went to college at Harvard, then did three years of graduate school at Yale. At both places I studied comparative literature. People find it odd that I went to both Harvard and Yale, and I guess it is odd, but that's just what people did where I grew up.
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We're wired to expect the world to be brighter and more meaningful and more obviously interesting than it actually is. And when we realize that it isn't, we start looking around for the real world.
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The new Web is a very different thing. It's a tool for bringing together the small contributions of millions of people and making them matter. Silicon Valley consultants call it Web 2.0, as if it were a new version of some old software. But it's really a revolution.
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Stop looking for the next secret door that is going to lead you to your real life. Stop waiting. This is it: there's nothing else.
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You don't want to move toward some utopian literary situation where everybody's free of all conventions. That's ridiculous! Conventions are what you need. You have nothing to break down if you don't have conventions.
Lev Grossman