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My ultimate goal is to drive people back to the books, when I think of an adaptation.

Lev Grossman

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Lev Grossman
Age: 55
Born: 1969
Born: June 26
Journalist
Literary Critic
Novelist
Science Fiction Writer
Writer
Lexington
Massachusetts
Think
Thinking
Adaptation
People
Drive
Ultimate
Books
Goal
Back
Book

More quotes by Lev Grossman

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Until now, I've been a kind of binge-writer - I'll carve out five or six hours on a weekend day and make a large container of espresso and just bang out a lot of words.
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My book group has one rule: no books for adults. We read young adult fiction only.
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I have spent many, many hours reading J.K. Rowling's work. I am a known 'Harry Potter' fan.
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It was so much easier to be angry. Being angry made him feel strong, even though-- and this contradiction did nothing to diminish his anger-- he was angry only because his position was so weak.
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We're wired to expect the world to be brighter and more meaningful and more obviously interesting than it actually is. And when we realize that it isn't, we start looking around for the real world.
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I feel that's one of the central questions of fantasy. What did we lose when we entered the 20th and 21st century, and how can we mourn what we lost, and what can we replace it with? We're still asking those questions in an urgent way.
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I think for a long time, I was paralyzed by some of my hopes and ideals for what my life was going to be like. I had this perfect vision of how my life should go, but it seemed - it was - impossible to realize, so I sat around for a long, long time doing almost nothing at all.
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I guess I was raised in a household with a lot of reverence for the physical sanctity of books. You didn't destroy books.
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The line between outside and inside is fuzzier in fantasy. Maybe that's something people are looking for.
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The real problem with being around James was that he was always the hero. And what did that make you? Either the sidekick or the villain.
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The truth doesn't always make a good story, does it?
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Don't take anyone's writing advice too seriously.
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Maybe there's a sense that technology isn't necessarily the answer to a lot of our problems. Fantasy offers readers a less radically alienated world - a world where desires and feelings that normally are trapped inside your mind are made real in the form of magic.
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It's natural for a child to assume that his or her own childhood is unremarkable.
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The paradox of the English country house is that its state of permanent decline, the fact that its heyday is always behind it, is part of the seduction, just as it is part of the seduction of books in general.
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Magic is wild, dangerous stuff. You never realize how useful limitations are until it's much too late.
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Quentin had an obsolete sailing ship that had been raised from the dead. He had psychotically effective swordsman and an enigmatic witch-queen. It wasn't the Fellowship of the Ring, but then again he wasn't trying to save the world from Sauron, he was trying to perform a tax audit on a bunch of hick islanders.
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He who completes a quest does not merely find something. He becomes something.
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Wasn't there a spell for making yourself happy? Somebody must have invented one. How could he have missed it? Why didn't they teach it? Was it in the library, a flying book fluttering just out of reach, beating its wings against some high window?
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I feel very conscious of my influences. T.H. White is very important for me.
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