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There's a special gut-check moment the first time you write a scene in which somebody casts a spell.
Lev Grossman
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Lev Grossman
Age: 55
Born: 1969
Born: June 26
Journalist
Literary Critic
Novelist
Science Fiction Writer
Writer
Lexington
Massachusetts
Special
Spell
Moment
Spells
Write
Check
Moments
Guts
Firsts
Checks
First
Casts
Writing
Scene
Time
Somebody
More quotes by Lev Grossman
Stop looking for the next secret door that is going to lead you to your real life. Stop waiting. This is it: there's nothing else.
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Though the funny thing about never being asked for anything is that after a while you start to feel like maybe you don’t have anything worth giving.
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Wasn't there a spell for making yourself happy? Somebody must have invented one. How could he have missed it? Why didn't they teach it? Was it in the library, a flying book fluttering just out of reach, beating its wings against some high window?
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Magic is wild, dangerous stuff. You never realize how useful limitations are until it's much too late.
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It's natural for a child to assume that his or her own childhood is unremarkable.
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That’s what death did, it treated you like a child, like everything you had ever thought and done and cared about was just a child’s game, to be crumpled up and thrown away when it was over. It didn’t matter. Death didn’t respect you. Death thought you were bullshit, and it wanted to make sure you knew it.
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A magician is strong because he feels pain. He feels the difference between what the world is and what he would make of it. Or what did you think that stuff in your chest was? A magician is strong because he hurts more than others. His wound is his strength.
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Genuinely social people never ceased to amaze him. Their brains seemed to generate an inexhaustible fund of things to say, naturally, with no effort, out of nothing at all.
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I feel very conscious of my influences. T.H. White is very important for me.
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Supposedly I've got traces of an English accent, though I can't hear it. I must have inherited it from my mother, who's English, and then I think it was exacerbated by the fact that I live with an Australian.
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A novel with a bad middle is a bad book. A bad ending is something I've just gotten in the habit of forgiving.
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Book tours are excellent things, and one is lucky to get to go on one, but they have a way of leeching away one's will to live.
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It turns out that there is something that can compete with free: easy.
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I guess I was raised in a household with a lot of reverence for the physical sanctity of books. You didn't destroy books.
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Read everything. If you haven't read everything, you'll never be able to write anything.
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Maybe there's a sense that technology isn't necessarily the answer to a lot of our problems. Fantasy offers readers a less radically alienated world - a world where desires and feelings that normally are trapped inside your mind are made real in the form of magic.
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His whole personality was like an elaborate joke that he never stopped telling.
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There is really no end to life's little humiliations.
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Every year the literary press praises dozens if not hundreds of novels to the skies, asserting explicitly or implicitly that these books will probably not be suffering water damage in the basements of their authors' houses 20 years from now. But historically, anyway, that's not the way the novelistic ecology works.
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The new Web is a very different thing. It's a tool for bringing together the small contributions of millions of people and making them matter. Silicon Valley consultants call it Web 2.0, as if it were a new version of some old software. But it's really a revolution.
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