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It's natural for a child to assume that his or her own childhood is unremarkable.

Lev Grossman

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Lev Grossman
Age: 55
Born: 1969
Born: June 26
Journalist
Literary Critic
Novelist
Science Fiction Writer
Writer
Lexington
Massachusetts
Children
Unremarkable
Assume
Assuming
Childhood
Child
Natural

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Magic: it was what happened when the mind met the world, and the mind won for a change.
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Oddly, the meanings of books are defined for me much more by their beginnings and middles than they are by their endings.
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Maybe there's a sense that technology isn't necessarily the answer to a lot of our problems. Fantasy offers readers a less radically alienated world - a world where desires and feelings that normally are trapped inside your mind are made real in the form of magic.
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Everybody wanted to be the hero of their own story. Nobody wanted to be comic relief.
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It's very important, at least to me as a writer, that there be some rules on the table when I'm writing. Rules come from genres. You're writing in a genre, there are rules, which is great because then you can break the rules. That's when really exciting things happen.
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Do you promise to hate my parents as much as I do? Oh, absolutely, Quentin said. Maybe even more.
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Magic is wild, dangerous stuff. You never realize how useful limitations are until it's much too late.
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The new Web is a very different thing. It's a tool for bringing together the small contributions of millions of people and making them matter. Silicon Valley consultants call it Web 2.0, as if it were a new version of some old software. But it's really a revolution.
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It turns out that there is something that can compete with free: easy.
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Some of the comments on YouTube make you weep for the future of humanity just for the spelling alone, never mind the obscenity and the naked hatred.
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I got my heart's desire, and there my troubles began.
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Every year the literary press praises dozens if not hundreds of novels to the skies, asserting explicitly or implicitly that these books will probably not be suffering water damage in the basements of their authors' houses 20 years from now. But historically, anyway, that's not the way the novelistic ecology works.
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We're wired to expect the world to be brighter and more meaningful and more obviously interesting than it actually is. And when we realize that it isn't, we start looking around for the real world.
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It's wonderful to play around with fantasy, because there are an amazing number of as-yet-unbroken rules out there.
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I've only read three books by Stephen King. When I was 10 I read 'The Long Walk,' one of his pseudonymous Bachman books. In my early 20s, while trapped on a family vacation, I read 'The Dark Half,' which taught me a word I have never forgotten: psychopomp. Now I have read '11/22/63.'
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A big silvery janitor. Penny, this can’t be how the universe works.” “In the Order we call it ‘inverse profundity.’ We’ve observed it in any number of cases. The deeper you go into the cosmic mysteries, the less interesting everything gets.
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You don’t learn about yourself by being alone, you learn about yourself from other people.
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He wasn't surprised. He was used to this anticlimactic feeling, where by the time you've done all the work to get something you don't even want it anymore.
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The line between outside and inside is fuzzier in fantasy. Maybe that's something people are looking for.
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