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The paradox of the English country house is that its state of permanent decline, the fact that its heyday is always behind it, is part of the seduction, just as it is part of the seduction of books in general.
Lev Grossman
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Lev Grossman
Age: 55
Born: 1969
Born: June 26
Journalist
Literary Critic
Novelist
Science Fiction Writer
Writer
Lexington
Massachusetts
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House
Permanent
Facts
English
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States
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Behind
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Books
Seduction
Always
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More quotes by Lev Grossman
The real problem with being around James was that he was always the hero. And what did that make you? Either the sidekick or the villain.
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It's a terrible thing for a book, when you feel like you're supposed to like it.
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You don’t learn about yourself by being alone, you learn about yourself from other people.
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It turns out that there is something that can compete with free: easy.
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That was the thing about the world: it wasn't that things were harder than you thought they were going to be, it was that they were hard in ways that you didn't expect.
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There's a special gut-check moment the first time you write a scene in which somebody casts a spell.
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The line between outside and inside is fuzzier in fantasy. Maybe that's something people are looking for.
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Josh speculated about the hypothetical contents of an imaginary porn magazine for intelligent trees that would be entitled Enthouse.
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There is really no end to life's little humiliations.
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A magician is strong because he feels pain. He feels the difference between what the world is and what he would make of it. Or what did you think that stuff in your chest was? A magician is strong because he hurts more than others. His wound is his strength.
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It was strange to be naked in front of anybody. It was like that cold water out there in the bay: scary, you didn’t think you could stand it, but then you plunged in and pretty soon you got used to it. There was enough hiding in life. Sometimes you just wanted to show somebody your tits.
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It's a great thing when you feel that you recognize yourself, deeply and movingly, in a work of literature.
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Magic: it was what happened when the mind met the world, and the mind won for a change.
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Oddly, the meanings of books are defined for me much more by their beginnings and middles than they are by their endings.
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Young minds - young brains - need stories and ideas like the ones in those [censored and banned] books in order to grow. They need ideas that you disagree with. They need ideas that I disagree with. Or they'll never be able to figure out what ideas they believe in.
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Do you promise to hate my parents as much as I do? Oh, absolutely, Quentin said. Maybe even more.
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It's wonderful to play around with fantasy, because there are an amazing number of as-yet-unbroken rules out there.
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Quentin had an obsolete sailing ship that had been raised from the dead. He had psychotically effective swordsman and an enigmatic witch-queen. It wasn't the Fellowship of the Ring, but then again he wasn't trying to save the world from Sauron, he was trying to perform a tax audit on a bunch of hick islanders.
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Genuinely social people never ceased to amaze him. Their brains seemed to generate an inexhaustible fund of things to say, naturally, with no effort, out of nothing at all.
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Magic is wild, dangerous stuff. You never realize how useful limitations are until it's much too late.
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