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The real problem with being around James was that he was always the hero. And what did that make you? Either the sidekick or the villain.
Lev Grossman
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Lev Grossman
Age: 55
Born: 1969
Born: June 26
Journalist
Literary Critic
Novelist
Science Fiction Writer
Writer
Lexington
Massachusetts
Hero
Either
Around
Problem
Real
Sidekick
Make
Sidekicks
Always
Villain
James
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Don't take anyone's writing advice too seriously.
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A novel with a bad middle is a bad book. A bad ending is something I've just gotten in the habit of forgiving.
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Magic is wild, dangerous stuff. You never realize how useful limitations are until it's much too late.
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It was so much easier to be angry. Being angry made him feel strong, even though-- and this contradiction did nothing to diminish his anger-- he was angry only because his position was so weak.
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Stop looking for the next secret door that is going to lead you to your real life. Stop waiting. This is it: there's nothing else.
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I read a lot of literary theory when I was in graduate school, especially about novels, and the best book I ever read about endings was Peter Brooks' 'Reading for the Plot. '
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You're saying the gods don't have free will. The power to make mistakes, Penny said. Only we have that. Mortals
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Genuinely social people never ceased to amaze him. Their brains seemed to generate an inexhaustible fund of things to say, naturally, with no effort, out of nothing at all.
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You don’t learn about yourself by being alone, you learn about yourself from other people.
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I'm not one of your knockabout, knuckle-scarred, Internet-controversy-courting book critics. Occasionally I stumble into controversy accidentally, but not because I enjoy it. It's probably just because I'm a weird person.
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I feel that's one of the central questions of fantasy. What did we lose when we entered the 20th and 21st century, and how can we mourn what we lost, and what can we replace it with? We're still asking those questions in an urgent way.
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I feel very conscious of my influences. T.H. White is very important for me.
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I guess I was raised in a household with a lot of reverence for the physical sanctity of books. You didn't destroy books.
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That’s what death did, it treated you like a child, like everything you had ever thought and done and cared about was just a child’s game, to be crumpled up and thrown away when it was over. It didn’t matter. Death didn’t respect you. Death thought you were bullshit, and it wanted to make sure you knew it.
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A big silvery janitor. Penny, this can’t be how the universe works.” “In the Order we call it ‘inverse profundity.’ We’ve observed it in any number of cases. The deeper you go into the cosmic mysteries, the less interesting everything gets.
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Book tours are excellent things, and one is lucky to get to go on one, but they have a way of leeching away one's will to live.
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You're all so obsessed with other worlds, you're so convinced that this one is crap and everywhere else is great, but you've never bothered to figure out what's going on here!
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There's a special gut-check moment the first time you write a scene in which somebody casts a spell.
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Though the funny thing about never being asked for anything is that after a while you start to feel like maybe you don’t have anything worth giving.
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You didn’t get the quest you wanted, you got the one you could do.
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