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Though the funny thing about never being asked for anything is that after a while you start to feel like maybe you don’t have anything worth giving.

Lev Grossman

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Lev Grossman
Age: 55
Born: 1969
Born: June 26
Journalist
Literary Critic
Novelist
Science Fiction Writer
Writer
Lexington
Massachusetts
Feels
Asked
Giving
Worth
Maybe
Thing
Start
Never
Though
Like
Funny
Anything
Feel

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Until now, I've been a kind of binge-writer - I'll carve out five or six hours on a weekend day and make a large container of espresso and just bang out a lot of words.
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Everybody wanted to be the hero of their own story. Nobody wanted to be comic relief.
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You didn’t get the quest you wanted, you got the one you could do.
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There is really no end to life's little humiliations.
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Being a writer can be isolating. It's good to be among readers and booksellers.
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Oddly, the meanings of books are defined for me much more by their beginnings and middles than they are by their endings.
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Don't take anyone's writing advice too seriously.
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That’s what death did, it treated you like a child, like everything you had ever thought and done and cared about was just a child’s game, to be crumpled up and thrown away when it was over. It didn’t matter. Death didn’t respect you. Death thought you were bullshit, and it wanted to make sure you knew it.
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The real world is horrible.
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I've only read three books by Stephen King. When I was 10 I read 'The Long Walk,' one of his pseudonymous Bachman books. In my early 20s, while trapped on a family vacation, I read 'The Dark Half,' which taught me a word I have never forgotten: psychopomp. Now I have read '11/22/63.'
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I read a lot of literary theory when I was in graduate school, especially about novels, and the best book I ever read about endings was Peter Brooks' 'Reading for the Plot. '
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The line between outside and inside is fuzzier in fantasy. Maybe that's something people are looking for.
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You don’t learn about yourself by being alone, you learn about yourself from other people.
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It's a great thing when you feel that you recognize yourself, deeply and movingly, in a work of literature.
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I'm happy to report that 'The New Press' is still in business to this day. But not thanks to me. I was a really bad publishing intern.
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A novel with a bad middle is a bad book. A bad ending is something I've just gotten in the habit of forgiving.
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The paradox of the English country house is that its state of permanent decline, the fact that its heyday is always behind it, is part of the seduction, just as it is part of the seduction of books in general.
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His whole personality was like an elaborate joke that he never stopped telling.
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Careful what you hunt, lest you catch it.
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You're all so obsessed with other worlds, you're so convinced that this one is crap and everywhere else is great, but you've never bothered to figure out what's going on here!
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