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There is really no end to life's little humiliations.

Lev Grossman

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Lev Grossman
Age: 55
Born: 1969
Born: June 26
Journalist
Literary Critic
Novelist
Science Fiction Writer
Writer
Lexington
Massachusetts
Life
Humiliations
Humiliation
Ends
Littles
Little
Really

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You don't want to move toward some utopian literary situation where everybody's free of all conventions. That's ridiculous! Conventions are what you need. You have nothing to break down if you don't have conventions.
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I recognize that on paper, you can't really tell that I'm a fan or a nerd.
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You're all so obsessed with other worlds, you're so convinced that this one is crap and everywhere else is great, but you've never bothered to figure out what's going on here!
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The new Web is a very different thing. It's a tool for bringing together the small contributions of millions of people and making them matter. Silicon Valley consultants call it Web 2.0, as if it were a new version of some old software. But it's really a revolution.
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It was so much easier to be angry. Being angry made him feel strong, even though-- and this contradiction did nothing to diminish his anger-- he was angry only because his position was so weak.
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He wasn't surprised. He was used to this anticlimactic feeling, where by the time you've done all the work to get something you don't even want it anymore.
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Oddly, the meanings of books are defined for me much more by their beginnings and middles than they are by their endings.
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Until now, I've been a kind of binge-writer - I'll carve out five or six hours on a weekend day and make a large container of espresso and just bang out a lot of words.
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It's a terrible thing for a book, when you feel like you're supposed to like it.
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I think for a long time, I was paralyzed by some of my hopes and ideals for what my life was going to be like. I had this perfect vision of how my life should go, but it seemed - it was - impossible to realize, so I sat around for a long, long time doing almost nothing at all.
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I read a lot of literary theory when I was in graduate school, especially about novels, and the best book I ever read about endings was Peter Brooks' 'Reading for the Plot. '
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A novel with a bad middle is a bad book. A bad ending is something I've just gotten in the habit of forgiving.
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The real problem with being around James was that he was always the hero. And what did that make you? Either the sidekick or the villain.
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It's time to live with what we have and mourn what we lost.
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It was strange to be naked in front of anybody. It was like that cold water out there in the bay: scary, you didn’t think you could stand it, but then you plunged in and pretty soon you got used to it. There was enough hiding in life. Sometimes you just wanted to show somebody your tits.
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I feel very conscious of my influences. T.H. White is very important for me.
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The line between outside and inside is fuzzier in fantasy. Maybe that's something people are looking for.
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I have spent many, many hours reading J.K. Rowling's work. I am a known 'Harry Potter' fan.
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You're saying the gods don't have free will. The power to make mistakes, Penny said. Only we have that. Mortals
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That’s what death did, it treated you like a child, like everything you had ever thought and done and cared about was just a child’s game, to be crumpled up and thrown away when it was over. It didn’t matter. Death didn’t respect you. Death thought you were bullshit, and it wanted to make sure you knew it.
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