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The truth doesn't always make a good story, does it?

Lev Grossman

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Lev Grossman
Age: 55
Born: 1969
Born: June 26
Journalist
Literary Critic
Novelist
Science Fiction Writer
Writer
Lexington
Massachusetts
Always
Story
Doesn
Stories
Truth
Doe
Make
Good

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For just one second, look at your life and see how perfect it is. Stop looking for the next secret door that is going to lead you to your real life. Stop waiting. This is it: there's nothing else. It's here, and you'd better decide to enjoy it or you're going to be miserable wherever you go, for the rest of your life, forever.
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Magic: it was what happened when the mind met the world, and the mind won for a change.
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It's a great thing when you feel that you recognize yourself, deeply and movingly, in a work of literature.
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I'm not one of your knockabout, knuckle-scarred, Internet-controversy-courting book critics. Occasionally I stumble into controversy accidentally, but not because I enjoy it. It's probably just because I'm a weird person.
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Oddly, the meanings of books are defined for me much more by their beginnings and middles than they are by their endings.
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You didn’t get the quest you wanted, you got the one you could do.
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Careful what you hunt, lest you catch it.
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A magician is strong because he feels the pain between what the world is and what he would make of it.
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A big silvery janitor. Penny, this can’t be how the universe works.” “In the Order we call it ‘inverse profundity.’ We’ve observed it in any number of cases. The deeper you go into the cosmic mysteries, the less interesting everything gets.
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His whole personality was like an elaborate joke that he never stopped telling.
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The paradox of the English country house is that its state of permanent decline, the fact that its heyday is always behind it, is part of the seduction, just as it is part of the seduction of books in general.
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I have spent many, many hours reading J.K. Rowling's work. I am a known 'Harry Potter' fan.
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Young minds - young brains - need stories and ideas like the ones in those [censored and banned] books in order to grow. They need ideas that you disagree with. They need ideas that I disagree with. Or they'll never be able to figure out what ideas they believe in.
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We have lived too long. The great days are past.
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A magician is strong because he feels pain. He feels the difference between what the world is and what he would make of it. Or what did you think that stuff in your chest was? A magician is strong because he hurts more than others. His wound is his strength.
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Quentin had an obsolete sailing ship that had been raised from the dead. He had psychotically effective swordsman and an enigmatic witch-queen. It wasn't the Fellowship of the Ring, but then again he wasn't trying to save the world from Sauron, he was trying to perform a tax audit on a bunch of hick islanders.
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A novel with a bad middle is a bad book. A bad ending is something I've just gotten in the habit of forgiving.
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The danger would be going back, or staying still. The only way out was through. The past was ruins, but the present was still in play.
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As a writer I'm more drawn to villains who are just slightly mad.
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There's a special gut-check moment the first time you write a scene in which somebody casts a spell.
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