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Until now, I've been a kind of binge-writer - I'll carve out five or six hours on a weekend day and make a large container of espresso and just bang out a lot of words.

Lev Grossman

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Lev Grossman
Age: 55
Born: 1969
Born: June 26
Journalist
Literary Critic
Novelist
Science Fiction Writer
Writer
Lexington
Massachusetts
Writer
Containers
Five
Binge
Hours
Carve
Words
Bang
Kind
Bangs
Make
Weekend
Six
Container
Large
Espresso

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For just one second, look at your life and see how perfect it is. Stop looking for the next secret door that is going to lead you to your real life. Stop waiting. This is it: there's nothing else. It's here, and you'd better decide to enjoy it or you're going to be miserable wherever you go, for the rest of your life, forever.
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How often have I met and disliked writers whose books I love and conversely, hated the books and then wound up liking the writer? Too often.
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It's a great thing when you feel that you recognize yourself, deeply and movingly, in a work of literature.
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My book group has one rule: no books for adults. We read young adult fiction only.
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As a writer I'm more drawn to villains who are just slightly mad.
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The danger would be going back, or staying still. The only way out was through. The past was ruins, but the present was still in play.
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Maybe there's a sense that technology isn't necessarily the answer to a lot of our problems. Fantasy offers readers a less radically alienated world - a world where desires and feelings that normally are trapped inside your mind are made real in the form of magic.
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The line between outside and inside is fuzzier in fantasy. Maybe that's something people are looking for.
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We're wired to expect the world to be brighter and more meaningful and more obviously interesting than it actually is. And when we realize that it isn't, we start looking around for the real world.
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Genuinely social people never ceased to amaze him. Their brains seemed to generate an inexhaustible fund of things to say, naturally, with no effort, out of nothing at all.
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A novel with a bad middle is a bad book. A bad ending is something I've just gotten in the habit of forgiving.
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You don't want to move toward some utopian literary situation where everybody's free of all conventions. That's ridiculous! Conventions are what you need. You have nothing to break down if you don't have conventions.
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Every year the literary press praises dozens if not hundreds of novels to the skies, asserting explicitly or implicitly that these books will probably not be suffering water damage in the basements of their authors' houses 20 years from now. But historically, anyway, that's not the way the novelistic ecology works.
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Don't take anyone's writing advice too seriously.
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It was strange to be naked in front of anybody. It was like that cold water out there in the bay: scary, you didn’t think you could stand it, but then you plunged in and pretty soon you got used to it. There was enough hiding in life. Sometimes you just wanted to show somebody your tits.
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In a way fighting was just like using magic. You said the words, and they altered the universe. By merely speaking you could create damage and pain, cause tears to fall, drive people away, make yourself feel better, make your life worse.
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Being a writer can be isolating. It's good to be among readers and booksellers.
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Supposedly I've got traces of an English accent, though I can't hear it. I must have inherited it from my mother, who's English, and then I think it was exacerbated by the fact that I live with an Australian.
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I'm not one of your knockabout, knuckle-scarred, Internet-controversy-courting book critics. Occasionally I stumble into controversy accidentally, but not because I enjoy it. It's probably just because I'm a weird person.
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I went to college at Harvard, then did three years of graduate school at Yale. At both places I studied comparative literature. People find it odd that I went to both Harvard and Yale, and I guess it is odd, but that's just what people did where I grew up.
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