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I'm not one of your knockabout, knuckle-scarred, Internet-controversy-courting book critics. Occasionally I stumble into controversy accidentally, but not because I enjoy it. It's probably just because I'm a weird person.

Lev Grossman

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Lev Grossman
Age: 55
Born: 1969
Born: June 26
Journalist
Literary Critic
Novelist
Science Fiction Writer
Writer
Lexington
Massachusetts
Weird
Knuckle
Critics
Courting
Internet
Scarred
Probably
Knuckles
Enjoy
Accidentally
Persons
Stumble
Person
Controversy
Book
Occasionally

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The danger would be going back, or staying still. The only way out was through. The past was ruins, but the present was still in play.
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Young minds - young brains - need stories and ideas like the ones in those [censored and banned] books in order to grow. They need ideas that you disagree with. They need ideas that I disagree with. Or they'll never be able to figure out what ideas they believe in.
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His whole personality was like an elaborate joke that he never stopped telling.
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It turns out that there is something that can compete with free: easy.
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The truth doesn't always make a good story, does it?
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It's wonderful to play around with fantasy, because there are an amazing number of as-yet-unbroken rules out there.
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We're wired to expect the world to be brighter and more meaningful and more obviously interesting than it actually is. And when we realize that it isn't, we start looking around for the real world.
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The real problem with being around James was that he was always the hero. And what did that make you? Either the sidekick or the villain.
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Being a writer can be isolating. It's good to be among readers and booksellers.
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Though the funny thing about never being asked for anything is that after a while you start to feel like maybe you don’t have anything worth giving.
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I read a lot of literary theory when I was in graduate school, especially about novels, and the best book I ever read about endings was Peter Brooks' 'Reading for the Plot. '
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Magic: it was what happened when the mind met the world, and the mind won for a change.
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A magician is strong because he feels pain. He feels the difference between what the world is and what he would make of it. Or what did you think that stuff in your chest was? A magician is strong because he hurts more than others. His wound is his strength.
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I went to college at Harvard, then did three years of graduate school at Yale. At both places I studied comparative literature. People find it odd that I went to both Harvard and Yale, and I guess it is odd, but that's just what people did where I grew up.
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Book tours are excellent things, and one is lucky to get to go on one, but they have a way of leeching away one's will to live.
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You didn’t get the quest you wanted, you got the one you could do.
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It's time to live with what we have and mourn what we lost.
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The new Web is a very different thing. It's a tool for bringing together the small contributions of millions of people and making them matter. Silicon Valley consultants call it Web 2.0, as if it were a new version of some old software. But it's really a revolution.
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The problem with growing up is that once you're grown up, the people who aren't grown up aren't fun anymore.
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That’s what death did, it treated you like a child, like everything you had ever thought and done and cared about was just a child’s game, to be crumpled up and thrown away when it was over. It didn’t matter. Death didn’t respect you. Death thought you were bullshit, and it wanted to make sure you knew it.
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