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I read a lot of literary theory when I was in graduate school, especially about novels, and the best book I ever read about endings was Peter Brooks' 'Reading for the Plot. '
Lev Grossman
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Lev Grossman
Age: 55
Born: 1969
Born: June 26
Journalist
Literary Critic
Novelist
Science Fiction Writer
Writer
Lexington
Massachusetts
Ever
Plot
Book
Especially
Endings
Novel
Brooks
Theory
Graduate
Reading
Graduates
Read
Literary
School
Peter
Best
Novels
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My book group has one rule: no books for adults. We read young adult fiction only.
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I guess I was raised in a household with a lot of reverence for the physical sanctity of books. You didn't destroy books.
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We have lived too long. The great days are past.
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Quentin had an obsolete sailing ship that had been raised from the dead. He had psychotically effective swordsman and an enigmatic witch-queen. It wasn't the Fellowship of the Ring, but then again he wasn't trying to save the world from Sauron, he was trying to perform a tax audit on a bunch of hick islanders.
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You didn’t get the quest you wanted, you got the one you could do.
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It's very important, at least to me as a writer, that there be some rules on the table when I'm writing. Rules come from genres. You're writing in a genre, there are rules, which is great because then you can break the rules. That's when really exciting things happen.
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Until now, I've been a kind of binge-writer - I'll carve out five or six hours on a weekend day and make a large container of espresso and just bang out a lot of words.
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The truth doesn't always make a good story, does it?
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It's wonderful to play around with fantasy, because there are an amazing number of as-yet-unbroken rules out there.
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Oddly, the meanings of books are defined for me much more by their beginnings and middles than they are by their endings.
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The danger would be going back, or staying still. The only way out was through. The past was ruins, but the present was still in play.
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Everybody wanted to be the hero of their own story. Nobody wanted to be comic relief.
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It's natural for a child to assume that his or her own childhood is unremarkable.
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He wasn't surprised. He was used to this anticlimactic feeling, where by the time you've done all the work to get something you don't even want it anymore.
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For just one second, look at your life and see how perfect it is. Stop looking for the next secret door that is going to lead you to your real life. Stop waiting. This is it: there's nothing else. It's here, and you'd better decide to enjoy it or you're going to be miserable wherever you go, for the rest of your life, forever.
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How often have I met and disliked writers whose books I love and conversely, hated the books and then wound up liking the writer? Too often.
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Though the funny thing about never being asked for anything is that after a while you start to feel like maybe you don’t have anything worth giving.
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A magician is strong because he feels pain. He feels the difference between what the world is and what he would make of it. Or what did you think that stuff in your chest was? A magician is strong because he hurts more than others. His wound is his strength.
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The real world is horrible.
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We're wired to expect the world to be brighter and more meaningful and more obviously interesting than it actually is. And when we realize that it isn't, we start looking around for the real world.
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