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I'm happy to report that 'The New Press' is still in business to this day. But not thanks to me. I was a really bad publishing intern.

Lev Grossman

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Lev Grossman
Age: 55
Born: 1969
Born: June 26
Journalist
Literary Critic
Novelist
Science Fiction Writer
Writer
Lexington
Massachusetts
Really
Reports
Presses
Thanks
Press
Happy
Business
Intern
Stills
Report
Still
Publishing

More quotes by Lev Grossman

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How often have I met and disliked writers whose books I love and conversely, hated the books and then wound up liking the writer? Too often.
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It's a great thing when you feel that you recognize yourself, deeply and movingly, in a work of literature.
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We're wired to expect the world to be brighter and more meaningful and more obviously interesting than it actually is. And when we realize that it isn't, we start looking around for the real world.
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Josh speculated about the hypothetical contents of an imaginary porn magazine for intelligent trees that would be entitled Enthouse.
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A magician is strong because he feels pain. He feels the difference between what the world is and what he would make of it. Or what did you think that stuff in your chest was? A magician is strong because he hurts more than others. His wound is his strength.
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It's wonderful to play around with fantasy, because there are an amazing number of as-yet-unbroken rules out there.
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He who completes a quest does not merely find something. He becomes something.
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He wasn't surprised. He was used to this anticlimactic feeling, where by the time you've done all the work to get something you don't even want it anymore.
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Wasn't there a spell for making yourself happy? Somebody must have invented one. How could he have missed it? Why didn't they teach it? Was it in the library, a flying book fluttering just out of reach, beating its wings against some high window?
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It's time to live with what we have and mourn what we lost.
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A big silvery janitor. Penny, this can’t be how the universe works.” “In the Order we call it ‘inverse profundity.’ We’ve observed it in any number of cases. The deeper you go into the cosmic mysteries, the less interesting everything gets.
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The real problem with being around James was that he was always the hero. And what did that make you? Either the sidekick or the villain.
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I've only read three books by Stephen King. When I was 10 I read 'The Long Walk,' one of his pseudonymous Bachman books. In my early 20s, while trapped on a family vacation, I read 'The Dark Half,' which taught me a word I have never forgotten: psychopomp. Now I have read '11/22/63.'
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Until now, I've been a kind of binge-writer - I'll carve out five or six hours on a weekend day and make a large container of espresso and just bang out a lot of words.
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Genuinely social people never ceased to amaze him. Their brains seemed to generate an inexhaustible fund of things to say, naturally, with no effort, out of nothing at all.
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There's a special gut-check moment the first time you write a scene in which somebody casts a spell.
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Magic: it was what happened when the mind met the world, and the mind won for a change.
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In a way fighting was just like using magic. You said the words, and they altered the universe. By merely speaking you could create damage and pain, cause tears to fall, drive people away, make yourself feel better, make your life worse.
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It turns out that there is something that can compete with free: easy.
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I read a lot of literary theory when I was in graduate school, especially about novels, and the best book I ever read about endings was Peter Brooks' 'Reading for the Plot. '
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