CBS is proud to have been the home of David Letterman since 1993. He is truly one of the great talents of our time, and we hope things work out.

I read the papers, I surf the Web. At the beginning of the year, I try to see at least two episodes of every show on our network. Am I surfing? All the time. I'm aware of the landscape. I'm a competitor, so I have to know whom I'm competing with.

It's the quiet little hit that is succeeding totally under the radar, ... NCIS.

Rebuilding a network is a slow, brick-by-brick process. It's not just creating a hit show - it's building shows to back up that hit show it's creating an identity of success so that people want their shows on your network.

I am broadcaster's biggest cheerleader because I genuinely believe in it. Where else can you get 20 million people a week watching 'NCIS' or 'American Idol?' Where else can you get 120 million watching the Super Bowl?

Before the start of the 2000 season, 'C.S.I.' wasn't supposed to be the hit. We all thought it would be 'The Fugitive.

I think many years from now, people will still watch television, though it will probably be 150 inches wide. What will change is the ability to get 'CSI' not only on TV but also on the Internet, even watching it in a foreign country as it's playing in the US.

News, by and large, has been the purest of all the television mediums, or at least we've tried to keep it that way, and there constantly is the argument about the separation between church and state.

The reason I've been able to maintain my position of chairman of CBS in addition to all the Viacom stuff is my team.

I take great pride in all the tremendous success we've enjoyed at CBS. And the good news is that I feel even more enthusiastic about what my terrific team and I will accomplish going forward.

As the TiVos and the Replays are coming into our world - and they're coming - it's better to - be inside the tent and figure out what they're doing and to work hand in hand with them as opposed to saying, 'You know what, the automobile is not going to work. I'm going to stick to my horse and carriage,' you know.

I understand why creative people like dark, but American audiences dont like dark. They like story. They do not respond to nervous breakdowns and unhappy episodes that lead nowhere. They like their characters to be a part of the action. They like strength, not weakness, a chance to work out any dilemma.