I have never given all of myself, even vocally, to anyone. I was taught to sing on your interest, not your capital.

All token Blacks have the same experience. I have been pointed at as a solution to things that have not yet begun to be solved, because pointing at us token Blacks eases consciences of millions, and this is dreadfully wrong.

Once you get on stage, everything is right. I feel the most beautiful, complete, fulfilled. I think that's why, in the case of noncompromising career women, parts of our personal lives don't work out. One person can't give you the feeling that thousands of people give you.

I am here and you will know that I am the best and will hear me. The color of my skin or the kink of my hair or the spread of my mouth has nothing to do with what you are listening to.

If you are going to think black, think positive about it. Don't think down on it, or think it is something in your way. And this way, when you really do want to stretch out and express how beautiful black is, everybody will hear you.

... we performers are monsters. We are a totally different, far-out race of people. I totally and completely admit, with no qualmsat all, my egomania, my selfishness, coupled with a really magnificent voice.

Accomplishments have no color.

Who I am is the best I can be.

The way I was taught, being black was a plus, always. Being a human being, being in America, and being black, all three were the greatest things that could happen to you. The combination was unbeatable.

Be black, shine, aim high.

The ultimate of being successful is the luxury of giving yourself the time to do what you want to do.

If you're not feeling good about you, what you're wearing outside doesn't mean a thing.