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Those who become enamoured of the art, without having previously applied to the diligent study of the scientific part of it, may be compared to mariners who put to the sea in a ship without rudder or compass and therefore cannot be certain of arriving at the wished for port.

Leonardo da Vinci

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Leonardo da Vinci
Age: 67 †
Born: 1452
Born: April 15
Died: 1519
Died: May 2
Anatomist
Architect
Astronomer
Botanist
Caricaturist
Chemist
Civil Engineer
Composer
Diplomat
Engineer
Inventor
Mathematician
Musician
Without
Therefore
Wished
Enamoured
Study
Compass
Rudder
Art
Applied
Rudders
Cannot
Ship
Mariners
Become
Compared
Diligent
Part
Ships
Previously
Certain
Scientific
Arriving
May
Sea
Port

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Learning is the only thing the mind never exhausts, never fears, and never regrets.
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Learning acquired in youth arrests the evil of old age.
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Study without desire spoils the memory, and it retains nothing that it takes in.
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Human subtlety will never devise an invention more beautiful, more simple or more direct than does nature because in her inventions nothing is lacking, and nothing is superfluous.
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A man was desired to rise from bed because the sun was already up. He replied: If I had as far to go and as much to do as he has, I should be up by now but having but a little way to go, I shall not get up yet.
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If you are on the side whence the wind is blowing you will see the trees looking much lighter than you would see them on the other sides and this is due to the fact that the wind turns up the reverse side of the leaves which in all trees is much whiter than the upper side.
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Here is a thing which the more you fear and avoid it the nearer you approach to it, and this is misery the more you flee from it the more miserable and restless you will become.
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O Lord, thou givest us everything, at the price of an effort.
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True and great love springs out of great knowledge, and where you know little you can love but little or not at all.
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I love this site. It was lovingly hand-shaped it. Your soul transformed this into this art. It was perfect. I have tried to create another equal to it... but to no avail, so I will just have to paint the Sistine Chapel.
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Look at light and admire its beauty. Close your eyes, and then look again: what you saw is no longer there and what you will see later is not yet.
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When you are painting you should take a flat mirror and often look at your work within it, and it will then be seen in reverse, and will appear to be by the hand of some other master, and you will be better able to judge of its faults than in any other way.
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The young man should first learn perspective, then the proportions of objects. Next, copy work after the hand of a good master, to gain the habit of drawing parts of the body well and then to work from nature, to confirm the lessons learned.
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If you put on more garments, the cold cannot reach you. Similarly, increase your patience and concentration and even great injuries cannot vex your mind.
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Nature is full of infinite causes that have never occurred in experience.
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Old age takes in part savoury wisdom for its food - see to that your old age will not lack in nourishment.
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I would venture to affirm that a man cannot attain excellence if he satisfy the ignorant and not those of his own craft, and if he be not 'singular' or 'distant,' or whatever you like to call him.
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In fact, whatever exists in the universe, in essence, in appearance, in the imagination, the painter has first in his mind and then in his hands ... it lies in his power to create them . . .
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It is no small benefit on finding oneself in bed in the dark to go over again in the imagination the main lines of the forms previously studied, or other noteworthy things conceived by ingenious speculation.
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Fire destroys falsehood, that is sophistry, and restores truth, driving out darkness.
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