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I realized the only thing I owed my audience was my own judgment and my own best effort.

Len Wein

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Len Wein
Age: 69 †
Born: 1948
Born: June 12
Died: 2017
Died: September 10
Comics Writer
Screenwriter
Writer
New York City
New York
Leonard Norman Wein
Realized
Judgment
Effort
Audience
Best
Thing
Owed
Lenses

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I would like immortality.
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When I got my first glimpse of Hugh Jackman as Wolverine, my breath caught. In that single instant, he was Wolverine.
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I became an art major, took every art class my school had to offer. In college, I majored in Advertising Art and Design.
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I hate the crazy, neurotic characters beyond a certain point.
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I think jazz and comic books are probably the two uniquely American art forms.
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I had never really thought of myself as a writer any writing I had done was just to give myself something to draw.
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What makes a story is how well it manages to connect with the reader, the visceral effect it has.
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There is an ancient legend which warns that, should we ever learn our true origin, our universe will instantly be destroyed.
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Never be embarrassed by the things you cannot do. Be embarrassed by the things you can do and don't do well.
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It's all about who's where on the food chain. When I'm the story editor, I expect my writers to follow my vision. When I'm working for another editor, I'm obliged to follow their vision.
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People who were more concerned with themselves and looking good to their readers then they were with the characters sacrificed a series for the sake of a story.
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Lord of the Rings, I think, is far and away the most brilliantly done stuff.
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I've never sat down and thought about the difference between plot and theme. To me, that's never been important.
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When I submitted samples, I had only written stories to give myself something to draw. I was told, The art is good, but not quite professional yet. But, I like the writing. I've been a writer for almost a half a century. It's very cool.
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The curse of comic book adaptations, when I was younger, was that the director or producer would go, Don't worry about it, it's just a comic book.
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When someone writes to tell me something I've written made them laugh or cry, I've done my job and done it well. The rest is all semantics.
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I try to find what makes even the worst, most despicable character sympathetic at his or her core.
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I've had editors over the years who couldn't find a clue if it was stapled to their butt.
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It all depends on which side of the desk you're sitting on.
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If a story isn't working, I'm simply unable to finish it. That's what usually tells me something is wrong.
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