Quote

Sometimes you're not even sure which of your stories were failures. There are things I've written that I thought were complete catastrophes when I finished with them that have gone on to generate some of my most positive feedback.

Len Wein

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Len Wein
Age: 69 †
Born: 1948
Born: June 12
Died: 2017
Died: September 10
Comics Writer
Screenwriter
Writer
New York City
New York
Leonard Norman Wein
Sure
Lenses
Gone
Feedback
Stories
Catastrophe
Thought
Failures
Sometimes
Complete
Even
Finished
Things
Positive
Catastrophes
Written
Generate

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If a story isn't working, I'm simply unable to finish it. That's what usually tells me something is wrong.
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Never be embarrassed by the things you cannot do. Be embarrassed by the things you can do and don't do well.
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I became an art major, took every art class my school had to offer. In college, I majored in Advertising Art and Design.
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I've never had to work out of the arts. I've always either been a writer or an editor, or something where I've made my living from doing what I love. You can't get any better than that.
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A true friend is someone who is there for you when he'd rather be anywhere else.
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I had never really thought of myself as a writer any writing I had done was just to give myself something to draw.
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When I got my first glimpse of Hugh Jackman as Wolverine, my breath caught. In that single instant, he was Wolverine.
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People who were more concerned with themselves and looking good to their readers then they were with the characters sacrificed a series for the sake of a story.
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When someone writes to tell me something I've written made them laugh or cry, I've done my job and done it well. The rest is all semantics.
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I would like immortality.
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When I'm my own editor, there's very little difference between the first draft and the final. I write what feels right to begin with. I rarely make any major changes.
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Unfortunately, there are writers whose only concern is how good they could make themselves look on a title.
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I've always thought of myself as an organic writer, rather than a cerebral one. I feel my way along as I go, hoping I'll get to the place I intend to reach.
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The villain is always more entertaining because he has fewer limitations. The hero is bound by honor, by justice and by the law, sometimes.
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In general, shorter is better. If you can encapsulate your idea into a single captivating sentence, you're halfway home.
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I try to find what makes even the worst, most despicable character sympathetic at his or her core.
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I've never sat down and thought about the difference between plot and theme. To me, that's never been important.
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