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People who were more concerned with themselves and looking good to their readers then they were with the characters sacrificed a series for the sake of a story.

Len Wein

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Len Wein
Age: 69 †
Born: 1948
Born: June 12
Died: 2017
Died: September 10
Comics Writer
Screenwriter
Writer
New York City
New York
Leonard Norman Wein
Reader
Looking
Sacrificed
Story
Lenses
Stories
Readers
Character
Sake
Good
Series
People
Characters
Concerned

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When someone writes to tell me something I've written made them laugh or cry, I've done my job and done it well. The rest is all semantics.
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I try not to violate what came before me and to leave lots of wiggle room for those who will follow.
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I think there's something inherently dishonest in trying to go back and mess with the past.
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I try to find what makes even the worst, most despicable character sympathetic at his or her core.
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I realized the only thing I owed my audience was my own judgment and my own best effort.
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I hate the crazy, neurotic characters beyond a certain point.
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I always wanted to fire rays out of my fingertips.
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There is an ancient legend which warns that, should we ever learn our true origin, our universe will instantly be destroyed.
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I was a very sickly kid. While I was in the hospital at age 7, my Dad brought me a stack of comic books to keep me occupied. I was hooked.
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A true friend is someone who is there for you when he'd rather be anywhere else.
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I think jazz and comic books are probably the two uniquely American art forms.
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I've never had to work out of the arts. I've always either been a writer or an editor, or something where I've made my living from doing what I love. You can't get any better than that.
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It's all about who's where on the food chain. When I'm the story editor, I expect my writers to follow my vision. When I'm working for another editor, I'm obliged to follow their vision.
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The villain is always more entertaining because he has fewer limitations. The hero is bound by honor, by justice and by the law, sometimes.
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When I'm my own editor, there's very little difference between the first draft and the final. I write what feels right to begin with. I rarely make any major changes.
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It all depends on which side of the desk you're sitting on.
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In general, shorter is better. If you can encapsulate your idea into a single captivating sentence, you're halfway home.
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What makes a story is how well it manages to connect with the reader, the visceral effect it has.
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I've never sat down and thought about the difference between plot and theme. To me, that's never been important.
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If a story isn't working, I'm simply unable to finish it. That's what usually tells me something is wrong.
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