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Unfortunately, there are writers whose only concern is how good they could make themselves look on a title.

Len Wein

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Len Wein
Age: 69 †
Born: 1948
Born: June 12
Died: 2017
Died: September 10
Comics Writer
Screenwriter
Writer
New York City
New York
Leonard Norman Wein
Concern
Whose
Look
Looks
Lenses
Make
Title
Good
Unfortunately
Titles
Writers

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If a story isn't working, I'm simply unable to finish it. That's what usually tells me something is wrong.
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I would like immortality.
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Lord of the Rings, I think, is far and away the most brilliantly done stuff.
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I think jazz and comic books are probably the two uniquely American art forms.
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The curse of comic book adaptations, when I was younger, was that the director or producer would go, Don't worry about it, it's just a comic book.
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I've never had to work out of the arts. I've always either been a writer or an editor, or something where I've made my living from doing what I love. You can't get any better than that.
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I've never sat down and thought about the difference between plot and theme. To me, that's never been important.
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I was a very sickly kid. While I was in the hospital at age 7, my Dad brought me a stack of comic books to keep me occupied. I was hooked.
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It's all about who's where on the food chain. When I'm the story editor, I expect my writers to follow my vision. When I'm working for another editor, I'm obliged to follow their vision.
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A true friend is someone who is there for you when he'd rather be anywhere else.
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I had never really thought of myself as a writer any writing I had done was just to give myself something to draw.
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When I submitted samples, I had only written stories to give myself something to draw. I was told, The art is good, but not quite professional yet. But, I like the writing. I've been a writer for almost a half a century. It's very cool.
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The villain is always more entertaining because he has fewer limitations. The hero is bound by honor, by justice and by the law, sometimes.
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When someone writes to tell me something I've written made them laugh or cry, I've done my job and done it well. The rest is all semantics.
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What makes a story is how well it manages to connect with the reader, the visceral effect it has.
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When I'm my own editor, there's very little difference between the first draft and the final. I write what feels right to begin with. I rarely make any major changes.
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I think there's something inherently dishonest in trying to go back and mess with the past.
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I try not to violate what came before me and to leave lots of wiggle room for those who will follow.
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In general, shorter is better. If you can encapsulate your idea into a single captivating sentence, you're halfway home.
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When I got my first glimpse of Hugh Jackman as Wolverine, my breath caught. In that single instant, he was Wolverine.
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