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I think there's something inherently dishonest in trying to go back and mess with the past.

Len Wein

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Len Wein
Age: 69 †
Born: 1948
Born: June 12
Died: 2017
Died: September 10
Comics Writer
Screenwriter
Writer
New York City
New York
Leonard Norman Wein
Past
Back
Trying
Something
Think
Dishonest
Thinking
Inherently
Lenses
Mess

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The villain is always more entertaining because he has fewer limitations. The hero is bound by honor, by justice and by the law, sometimes.
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I became an art major, took every art class my school had to offer. In college, I majored in Advertising Art and Design.
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I think jazz and comic books are probably the two uniquely American art forms.
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In general, shorter is better. If you can encapsulate your idea into a single captivating sentence, you're halfway home.
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What makes a story is how well it manages to connect with the reader, the visceral effect it has.
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When I'm my own editor, there's very little difference between the first draft and the final. I write what feels right to begin with. I rarely make any major changes.
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I've had editors over the years who couldn't find a clue if it was stapled to their butt.
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Lord of the Rings, I think, is far and away the most brilliantly done stuff.
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I try not to violate what came before me and to leave lots of wiggle room for those who will follow.
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I was a very sickly kid. While I was in the hospital at age 7, my Dad brought me a stack of comic books to keep me occupied. I was hooked.
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A true friend is someone who is there for you when he'd rather be anywhere else.
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I would like immortality.
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I've always thought of myself as an organic writer, rather than a cerebral one. I feel my way along as I go, hoping I'll get to the place I intend to reach.
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People who were more concerned with themselves and looking good to their readers then they were with the characters sacrificed a series for the sake of a story.
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When I submitted samples, I had only written stories to give myself something to draw. I was told, The art is good, but not quite professional yet. But, I like the writing. I've been a writer for almost a half a century. It's very cool.
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I try to find what makes even the worst, most despicable character sympathetic at his or her core.
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If a story isn't working, I'm simply unable to finish it. That's what usually tells me something is wrong.
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The curse of comic book adaptations, when I was younger, was that the director or producer would go, Don't worry about it, it's just a comic book.
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It's all about who's where on the food chain. When I'm the story editor, I expect my writers to follow my vision. When I'm working for another editor, I'm obliged to follow their vision.
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Sometimes you're not even sure which of your stories were failures. There are things I've written that I thought were complete catastrophes when I finished with them that have gone on to generate some of my most positive feedback.
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