You know, whatever happens between the two of us that's created when we come together as actors is not something I think we can explain.

I play characters. I don't think I really have a persona per se. I don't play the same guy every time. I show up, you don't know what I'm gonna do. I like it that way. I've intentionally tried to do it that way. I think that's what's interesting.

I certainly believe that being in contact with ones spirit and nurturing ones spirit is as important as nurturing ones body and mind. We are three dimensional beings: body, mind, spirit.

I came up around people who took acting seriously, who cared about acting, cared about the theater and, in the '70s, made movies that said something that mattered. I came up with those people, and I was a kid. Their ethos and credo became mine.

I've played a lot of bad guys, 'cause that was the only work I could get. People saw my face and went 'oooh'.

We know that passion, prejudice, party, and even good-will, tempt many who preserve a fair character with the world to deviate from truth in the laxity of conversation.

I think everyone is very surprised at how matrix has become the pop culture phenomenon that it is.

I wouldn't say that going into a weekly television series is actually stepping away from anything. It's another medium in which to work as an actor.

The thing with kids is that you only get one chance to do it right. It's really important to share their gifts while they're discovering them. That's why spelling bees are such a compelling story. They stimulate them intellectually, they awaken their competitive spirit, but it's fun. There's something fun about words.

I have a voice. It's one of my gifts. I intend to use it on behalf of the children that UNICEF seeks to aid.

When you're on screen with Mads, there's some real fireworks because your character is his intellectual equal. In a way, maybe your character has an instinct as to who this man really is.