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I'm ambivalent about the Orange Prize. I was really proud to be shortlisted alongside the other writers, whom I admire. That said, I don't know if it's best way of addressing gender inequality problems.

Lauren Groff

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Lauren Groff
Age: 46
Born: 1978
Born: July 23
Novelist
Writer
Cooperstown
New York
Problem
Orange
Best
Inequality
Really
Prize
Gender
Admire
Writers
Ambivalent
Problems
Alongside
Proud
Addressing

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Amor animi arbitrio sumitu, non ponitur we choose to love we do not choose to cease loving.
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Sometimes I read a biography of some tempestuous artist and find myself longing for fireworks! booze! bloody fights! I do think that life must be so much more thrilling when you're actively miserable.
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Parenthood means becoming comfortable with the fact that there are things outside your control, things that end and fail, just as most utopias end and by some measure fail. And just because they're a failure doesn't mean there isn't value there.
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Depressing thought: my friends were the girls I ate lunch with, all buddies from kindergarten who knew one another so well we weren't sure if we even liked one another anymore.
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If the literary category of 'mordant fable' exists at all, it may be because Brock Clarke invented it. The Happiest People in the World is everything we fans have come to love from a Clarke novel: playful and deliriously skewed, and somehow balancing between genuinely great-hearted and gloriously weird.
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You had to pick up a landline to make sure your best friend wore a matching outfit to school. I do remember people talking more. Nostalgia is dangerous, though.
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A female writer does definitely get more attention if she writes about male characters. It's true. It's considered somehow more literary, in the same way that it's more literary to write about supposedly male subjects, such as war. You're considered more seriously by the literary establishment.
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Song: Heloise and Abelard by Elizabeth Devlin. Beyond the a propros subject matter, this lady can really play the Autoharp. This song sounds like something you'd find on a gramophone record.
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When I was small and easily wounded books were my carapace. If I were recalled to my hurts in the middle of a book they somehow mattered less. My corporeal life was slight the dazzling one in my head was what really mattered. Returning to books was coming home.
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At least in my case, a very simple, regular, happy life makes for better writing.
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I'm a writer, not an actor. I want to write rather than perform. I'm looking forward to disappearing for a while.
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Fiction is always a utopian task, in that there's an ideal you hold in your head as you write which inevitably fails in the moment of creation, in the insufficiency of words to convey meaning, or in the way the work is completed in the reader's head.
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Even the presence of my kids cannot, during those writing hours, disturb me. Unless there's a bone sticking out of their arm, I'm not interested.
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I try not to think too much or be too impatient, and let the back of my brain do its mysterious work.
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Freedom or community, community or freedom. One must decide the way one wants to live. I chose community.
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My childhood was as conventional as you could get.
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