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I'm ambivalent about the Orange Prize. I was really proud to be shortlisted alongside the other writers, whom I admire. That said, I don't know if it's best way of addressing gender inequality problems.

Lauren Groff

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Lauren Groff
Age: 46
Born: 1978
Born: July 23
Novelist
Writer
Cooperstown
New York
Writers
Ambivalent
Problems
Alongside
Proud
Addressing
Problem
Orange
Best
Inequality
Really
Prize
Gender
Admire

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I'm a physical learner. I learn from writing drafts, not reading them.
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Freedom or community, community or freedom. One must decide the way one wants to live. I chose community.
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Sex makes things strained. There are lovely people in Oneida, but everyone was married to everyone else. And you had fathers and mothers watching their twelve-year-old daughters being inducted into the group marriage by sixty-five-year-old men. There are creepy aspects of a lot of intentional communities when it comes to sex.
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I feel lucky. I do love it, mostly. At college I had it in my heart that I wanted to be a writer but I didn't want to tell anyone about it. Then I graduated and became a bartender in Philadelphia, writing during the day. I was the worst bartender in the world.
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It seems to me that if you were to take almost any half-century in history, you'd find a grand societal tug-of-war between the community and the individual.
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Everything is cyclical. Historical eras go through times of intense cynicism, broken by periods of intense idealism.
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Depressing thought: my friends were the girls I ate lunch with, all buddies from kindergarten who knew one another so well we weren't sure if we even liked one another anymore.
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Amor animi arbitrio sumitu, non ponitur we choose to love we do not choose to cease loving.
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The triumph of writing fiction is that by doing so, writers can build a more ideal world in themselves.
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It's wonderful that nothing you write is ever going to be as beautiful as what's in your head, because that gap is where the art can enter and begin to stretch its limbs.
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As a person, I do ascribe to a lot of magical thinking myself.
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There is part of me that longs to have the back-to-the-earth life - make my own bread, grow my own wheat, just be really self-sufficient - but I am not, at the moment, willing to give up the luxury of modern life, and amazing schools for my kids, and things that I've come to rely on that are parts of society.
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As soon as you publish a book and the reader reads it, they're making an extension of your brain with their brain.
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I do like Twitter. Writing is a solitary pursuit, and it can get lonely. I like to go into Twitter for a short period of time, communicate with clever friends, and then switch it off. That's perfect for me.
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And she, the new mother of a daughter, felt a fierceness come over her that seized at her heart, that made her feel as if her bones were turned to steel, as if she could turn herself into a weapon to keep this daughter of hers from having to be hurt by the world outside the ring of her arms.
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My childhood was as conventional as you could get.
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I won't walk under scaffolding or under ladders. I wear things like a baseball player wears things that are supposed to have luck. I am superstitious about everything.
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Parenthood means becoming comfortable with the fact that there are things outside your control, things that end and fail, just as most utopias end and by some measure fail. And just because they're a failure doesn't mean there isn't value there.
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In my totally unscientific yet enthusiastic survey of Communal Experiments Throughout American History, I've discovered that the thing most likely to break up said experiments is: Sex, all that murky, dark, dirty gunk simmering beneath human relations.
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I love Twitter. It's like having a closet full of clever friends that you can visit twice a day, then shove back into the darkness when you're tired of them.
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