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I'm ambivalent about the Orange Prize. I was really proud to be shortlisted alongside the other writers, whom I admire. That said, I don't know if it's best way of addressing gender inequality problems.

Lauren Groff

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Lauren Groff
Age: 46
Born: 1978
Born: July 23
Novelist
Writer
Cooperstown
New York
Really
Prize
Gender
Admire
Writers
Ambivalent
Problems
Alongside
Proud
Addressing
Problem
Orange
Best
Inequality

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Who, in the midst of passion, is vigilant against illness? Who listens to the reports of recently decimated populations in Spain, India, Bora Bora, when new lips, tongues and poems fill the world?
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It seems to me that if you were to take almost any half-century in history, you'd find a grand societal tug-of-war between the community and the individual.
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If the literary category of 'mordant fable' exists at all, it may be because Brock Clarke invented it. The Happiest People in the World is everything we fans have come to love from a Clarke novel: playful and deliriously skewed, and somehow balancing between genuinely great-hearted and gloriously weird.
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In terms of writing, I think what most fiction writers treasure more than anything is the feeling that they're living for the length of a book inside another person.
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I won't walk under scaffolding or under ladders. I wear things like a baseball player wears things that are supposed to have luck. I am superstitious about everything.
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Fiction is always a utopian task, in that there's an ideal you hold in your head as you write which inevitably fails in the moment of creation, in the insufficiency of words to convey meaning, or in the way the work is completed in the reader's head.
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There is part of me that longs to have the back-to-the-earth life - make my own bread, grow my own wheat, just be really self-sufficient - but I am not, at the moment, willing to give up the luxury of modern life, and amazing schools for my kids, and things that I've come to rely on that are parts of society.
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Parenthood means becoming comfortable with the fact that there are things outside your control, things that end and fail, just as most utopias end and by some measure fail. And just because they're a failure doesn't mean there isn't value there.
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Everything is cyclical. Historical eras go through times of intense cynicism, broken by periods of intense idealism.
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I'm a physical learner. I learn from writing drafts, not reading them.
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I want to be identified as a writer, not a Southern writer, not a woman writer, not a woman from this or that place, but unfortunately it doesn't always happen.
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I do like Twitter. Writing is a solitary pursuit, and it can get lonely. I like to go into Twitter for a short period of time, communicate with clever friends, and then switch it off. That's perfect for me.
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Childhood is such a delicate tissue what they had done this morning could snag somewhere in the little ones, make a dull, small pain that will circle back again and again, and hurt them in small ways for the rest of their lives.
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I'm a writer, not an actor. I want to write rather than perform. I'm looking forward to disappearing for a while.
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As a person, I do ascribe to a lot of magical thinking myself.
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And she, the new mother of a daughter, felt a fierceness come over her that seized at her heart, that made her feel as if her bones were turned to steel, as if she could turn herself into a weapon to keep this daughter of hers from having to be hurt by the world outside the ring of her arms.
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I'm always hungry for people.
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Depressing thought: my friends were the girls I ate lunch with, all buddies from kindergarten who knew one another so well we weren't sure if we even liked one another anymore.
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As soon as you publish a book and the reader reads it, they're making an extension of your brain with their brain.
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Research is about following the gleam into the dark. It's also about being sensitive enough to know which fact is the creative fact the fertile fact the fact that suggests and engenders, as opposed to the fact that deadens and kills a delicate new project.
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