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The triumph of writing fiction is that by doing so, writers can build a more ideal world in themselves.

Lauren Groff

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Lauren Groff
Age: 46
Born: 1978
Born: July 23
Novelist
Writer
Cooperstown
New York
Ideals
Writers
Build
Fiction
Writing
World
Triumph
Ideal

More quotes by Lauren Groff

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Even the presence of my kids cannot, during those writing hours, disturb me. Unless there's a bone sticking out of their arm, I'm not interested.
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I'm a physical learner. I learn from writing drafts, not reading them.
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Fiction is always a utopian task, in that there's an ideal you hold in your head as you write which inevitably fails in the moment of creation, in the insufficiency of words to convey meaning, or in the way the work is completed in the reader's head.
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In terms of writing, I think what most fiction writers treasure more than anything is the feeling that they're living for the length of a book inside another person.
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My childhood was as conventional as you could get.
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When I was small and easily wounded books were my carapace. If I were recalled to my hurts in the middle of a book they somehow mattered less. My corporeal life was slight the dazzling one in my head was what really mattered. Returning to books was coming home.
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As a person, I do ascribe to a lot of magical thinking myself.
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Being a writer means I sit in a dark (and pretty dank) room off my garage for many hours a day, and in my wallowing moments I can feel as if I'm already on the outside of society, peering wistfully in.
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Reading about utopianism, and eventually creating characters with their own utopian ambitions, was the way I learned to live with being a pregnant person, to stave off the sense of incipient disaster. You're bringing a person into this overcrowded world, knowing they're one day going to die and there's nothing you can do about it.
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Research is about following the gleam into the dark. It's also about being sensitive enough to know which fact is the creative fact the fertile fact the fact that suggests and engenders, as opposed to the fact that deadens and kills a delicate new project.
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I do like Twitter. Writing is a solitary pursuit, and it can get lonely. I like to go into Twitter for a short period of time, communicate with clever friends, and then switch it off. That's perfect for me.
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In my totally unscientific yet enthusiastic survey of Communal Experiments Throughout American History, I've discovered that the thing most likely to break up said experiments is: Sex, all that murky, dark, dirty gunk simmering beneath human relations.
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Song: Heloise and Abelard by Elizabeth Devlin. Beyond the a propros subject matter, this lady can really play the Autoharp. This song sounds like something you'd find on a gramophone record.
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You had to pick up a landline to make sure your best friend wore a matching outfit to school. I do remember people talking more. Nostalgia is dangerous, though.
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The idea of legitimacy is something I suppose I deal with in my fiction, and in part it's probably a response to my upbringing. When I was growing up I was the middle child, pathologically shy, in a family with a very loud and opinionated older brother, and I felt as if I never had the right to speak. As a result, I simply didn't speak very much.
Lauren Groff
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Freedom or community, community or freedom. One must decide the way one wants to live. I chose community.
Lauren Groff
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Everything is cyclical. Historical eras go through times of intense cynicism, broken by periods of intense idealism.
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I'm ambivalent about the Orange Prize. I was really proud to be shortlisted alongside the other writers, whom I admire. That said, I don't know if it's best way of addressing gender inequality problems.
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When I write new worlds, I work in layers, building and throwing out, and building anew.
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While writing, writers are living inside a character or characters, and when the book ekes into the world, writers are living inside the reader. That's more than connecting.
Lauren Groff