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The triumph of writing fiction is that by doing so, writers can build a more ideal world in themselves.

Lauren Groff

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Lauren Groff
Age: 46
Born: 1978
Born: July 23
Novelist
Writer
Cooperstown
New York
Writing
World
Triumph
Ideal
Ideals
Writers
Build
Fiction

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You had to pick up a landline to make sure your best friend wore a matching outfit to school. I do remember people talking more. Nostalgia is dangerous, though.
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I love Twitter. It's like having a closet full of clever friends that you can visit twice a day, then shove back into the darkness when you're tired of them.
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Childhood is such a delicate tissue what they had done this morning could snag somewhere in the little ones, make a dull, small pain that will circle back again and again, and hurt them in small ways for the rest of their lives.
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If the literary category of 'mordant fable' exists at all, it may be because Brock Clarke invented it. The Happiest People in the World is everything we fans have come to love from a Clarke novel: playful and deliriously skewed, and somehow balancing between genuinely great-hearted and gloriously weird.
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My childhood was as conventional as you could get.
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I'm always hungry for people.
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When I write new worlds, I work in layers, building and throwing out, and building anew.
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A female writer does definitely get more attention if she writes about male characters. It's true. It's considered somehow more literary, in the same way that it's more literary to write about supposedly male subjects, such as war. You're considered more seriously by the literary establishment.
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It seems to me that if you were to take almost any half-century in history, you'd find a grand societal tug-of-war between the community and the individual.
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Freedom or community, community or freedom. One must decide the way one wants to live. I chose community.
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Sometimes I read a biography of some tempestuous artist and find myself longing for fireworks! booze! bloody fights! I do think that life must be so much more thrilling when you're actively miserable.
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Reading about utopianism, and eventually creating characters with their own utopian ambitions, was the way I learned to live with being a pregnant person, to stave off the sense of incipient disaster. You're bringing a person into this overcrowded world, knowing they're one day going to die and there's nothing you can do about it.
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I do like Twitter. Writing is a solitary pursuit, and it can get lonely. I like to go into Twitter for a short period of time, communicate with clever friends, and then switch it off. That's perfect for me.
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At least in my case, a very simple, regular, happy life makes for better writing.
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Being a writer means I sit in a dark (and pretty dank) room off my garage for many hours a day, and in my wallowing moments I can feel as if I'm already on the outside of society, peering wistfully in.
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In my totally unscientific yet enthusiastic survey of Communal Experiments Throughout American History, I've discovered that the thing most likely to break up said experiments is: Sex, all that murky, dark, dirty gunk simmering beneath human relations.
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Even the presence of my kids cannot, during those writing hours, disturb me. Unless there's a bone sticking out of their arm, I'm not interested.
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I'm a physical learner. I learn from writing drafts, not reading them.
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As a person, I do ascribe to a lot of magical thinking myself.
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I'm ambivalent about the Orange Prize. I was really proud to be shortlisted alongside the other writers, whom I admire. That said, I don't know if it's best way of addressing gender inequality problems.
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