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I love Twitter. It's like having a closet full of clever friends that you can visit twice a day, then shove back into the darkness when you're tired of them.

Lauren Groff

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Lauren Groff
Age: 46
Born: 1978
Born: July 23
Novelist
Writer
Cooperstown
New York
Darkness
Shove
Full
Closet
Friends
Closets
Back
Twitter
Love
Visit
Like
Twice
Clever
Tired

More quotes by Lauren Groff

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As soon as you publish a book and the reader reads it, they're making an extension of your brain with their brain.
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Even the presence of my kids cannot, during those writing hours, disturb me. Unless there's a bone sticking out of their arm, I'm not interested.
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I've always relied on producing more material than I need. With each of my published novels I've written around four times the amount of material that's ended up in the book.
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I do like Twitter. Writing is a solitary pursuit, and it can get lonely. I like to go into Twitter for a short period of time, communicate with clever friends, and then switch it off. That's perfect for me.
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There is part of me that longs to have the back-to-the-earth life - make my own bread, grow my own wheat, just be really self-sufficient - but I am not, at the moment, willing to give up the luxury of modern life, and amazing schools for my kids, and things that I've come to rely on that are parts of society.
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In my totally unscientific yet enthusiastic survey of Communal Experiments Throughout American History, I've discovered that the thing most likely to break up said experiments is: Sex, all that murky, dark, dirty gunk simmering beneath human relations.
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I try not to think too much or be too impatient, and let the back of my brain do its mysterious work.
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If the literary category of 'mordant fable' exists at all, it may be because Brock Clarke invented it. The Happiest People in the World is everything we fans have come to love from a Clarke novel: playful and deliriously skewed, and somehow balancing between genuinely great-hearted and gloriously weird.
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Being a writer means I sit in a dark (and pretty dank) room off my garage for many hours a day, and in my wallowing moments I can feel as if I'm already on the outside of society, peering wistfully in.
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I'm a private person, a shy person. Sometimes, reading for eleven hours straight feels to me like the perfect way to spend a day.
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I'm a physical learner. I learn from writing drafts, not reading them.
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My childhood was as conventional as you could get.
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In terms of writing, I think what most fiction writers treasure more than anything is the feeling that they're living for the length of a book inside another person.
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Everything is cyclical. Historical eras go through times of intense cynicism, broken by periods of intense idealism.
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Sometimes I read a biography of some tempestuous artist and find myself longing for fireworks! booze! bloody fights! I do think that life must be so much more thrilling when you're actively miserable.
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At least in my case, a very simple, regular, happy life makes for better writing.
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You had to pick up a landline to make sure your best friend wore a matching outfit to school. I do remember people talking more. Nostalgia is dangerous, though.
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I'm ambivalent about the Orange Prize. I was really proud to be shortlisted alongside the other writers, whom I admire. That said, I don't know if it's best way of addressing gender inequality problems.
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I want to be identified as a writer, not a Southern writer, not a woman writer, not a woman from this or that place, but unfortunately it doesn't always happen.
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Who, in the midst of passion, is vigilant against illness? Who listens to the reports of recently decimated populations in Spain, India, Bora Bora, when new lips, tongues and poems fill the world?
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