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Shakespeare alternated between musical surrenders to social prestige and magnificent fits of poetic remorse.

Laura Riding

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Laura Riding
Age: 90 †
Born: 1901
Born: January 16
Died: 1991
Died: September 2
Critic
Poet
Writer
New York City
New York
Madeleine Vara
Laura Reichenthal
Laura Riding Gottschalk
Barbara Rich
Laura Riding Jackson
Poetic
Magnificent
Surrender
Fit
Surrenders
Musical
Prestige
Social
Remorse
Fits
Shakespeare

More quotes by Laura Riding

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My function as a writer is not story-telling but truth-telling: to make things plain.
Laura Riding
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Poetry brings all possible experience to the same degree: a degree in the consciousness beyond which the consciousness itself cannot go.
Laura Riding
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Myth is a tale once believed as truth believed, it is not myth, but religion. A tale once religiously believed that has come to be called a myth is something of religion corrupted with disbelief. What are beliefs for some societies but myths for others cannot fill spiritual vacancies in the life of those others.
Laura Riding
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Because most people are not sufficiently employed in themselves, they run about loose, hungering for employment, and satisfy themselves in various supererogatory occupations. The easiest of these occupations, which have all to do with making things already made, is the making of people: it is called the art of friendship.
Laura Riding
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Appearances do not deceive if there are enough of them.
Laura Riding
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Every thought sounds like a footfall, Till a thought like a boot kicks down the wall.
Laura Riding
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Until the missing story of ourselves is told, nothing besides told can suffice us: we shall go on quietly craving it.
Laura Riding
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What second love could she [Olympias] make out of her ruined first love? The second love that most women make out of their first love for husbands grows from a mutual and tacit sadness in both husband and wife that he is only in rare moments the man both would like him to be.
Laura Riding
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When ... I comprehended that poetry had no provision in it for ultimate practical attainment of the rightness of work that is truth, but led on ever only to a temporizing less- than-truth ... I stopped.
Laura Riding
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The end of poetry is not to create a physical condition which shall give pleasure to the mind... The end of poetry is not an after-effect, not a pleasurable memory of itself, but an immediate, constant and even unpleasant insistence upon itself.
Laura Riding
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To a poet the mere making of a poem can seem to solve the problem of truth…but only a problem of art is solved in poetry.
Laura Riding
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We wait, all, for a story of us that shall reach to where we are. We listen for our own speaking and we hear much that seems our speaking, yet makes us strange to ourselves.
Laura Riding
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Ideas are the old-age of art. Artists have to keep young they must not think too much - thought is death, while art is life. Such was Emile's viewpoint.
Laura Riding
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I met God. 'What,' he said, 'you already?' 'What,' I said, 'you still?
Laura Riding
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If what you write is true, it will not be so because of what you are as a writer but because of what you are as a being. There can be no literary equivalent to truth.
Laura Riding
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We live on the circumference of a hollow circle. We draw the circumference, like spiders, out of ourselves: it is all criticism of criticism.
Laura Riding
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Evil I had never found satisfactorily placeable as an integral element of the universal, or total, content of existence. Indeed, evil is evil just because there is no logical place for it, no room in reality for it. It is unreal, and yet real as something unreal.
Laura Riding
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'God' is the name given to the most 'important' human idea. In English, as in other languages, the original sense of the word is obscure. But the character of the name is the same in all languages: it is a question. 'God' is the question 'Is there something more important than, something besides, man?'
Laura Riding
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She [Venison] had never travelled and so could invent all kinds of strange places without being limited, as travelled people are, by knowledge of certain places only.
Laura Riding
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The problem of good and evil is not the problem of good and evil, but only the problem of evil. In opposition to good there are evil characters, but there are no good characters in opposition to evil. Evil is arguable, but good is not. Therefore the Devil always wins the argument.
Laura Riding