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But the gravest difficulty, and perhaps the most important, in poetry meant solely for recitation, is the difficulty of achieving verbal beauty, or rather of making verbal beauty tell.

Lascelles Abercrombie

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Lascelles Abercrombie
Age: 57 †
Born: 1881
Born: January 9
Died: 1938
Died: October 27
Literary Critic
Philosopher
Playwright
Poet
Professor
Writer
Ashton-on-Mersey
Beauty
Verbal
Rather
Solely
Making
Achieving
Tell
Difficulty
Important
Meant
Poetry
Perhaps
Recitation
Achieve
Gravest

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The epic poet collaborates with the spirit of his time in the composition of his work. That is, if he is successful the time may refuse to work with him, but he may not refuse to work with his time.
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With several different kinds of poetry to choose from, a man would decide that he would like best to be an epic poet, and he would set out, in conscious determination, on an epic poem.
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If epic poetry is a definite species, the sagas do not fall within it.
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Epic poetry exhibits life in some great symbolic attitude. It cannot strictly be said to symbolize life itself, but always some manner of life.
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The balance of private good and general welfare is at the bottom of civilized morals but the morals of the Heroic Age are founded on individuality, and on nothing else.
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For the stage displays the first vigorous expression, as the natural thing and without conspicuous restraint, of private individuality.
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The Border Ballads, for instance, and the Robin Hood Ballads, clearly suppose a state of society which is nothing but a very circumscribed and not very important heroic age.
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There is only one thing which can master the perplexed stuff of epic material into unity and that is, an ability to see in particular human experience some significant symbolism of man's general destiny.
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Traditional matter must be glorified, since it would be easier to listen to the re-creation of familiar stories than to quite new and unexpected things the listeners, we must remember, needed poetry chiefly as the re-creation of tired hours.
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It is more difficult to keep the attention of hearers than of readers.
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No poet will ever take the written word as a substitute for the spoken word he knows that it is on the spoken word, and the spoken word only, that his art is founded.
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It seems difficult, sometimes, to believe that there was a time when sentiments now become habitual, sentiments that imply not only the original imperative of conduct, but the original metaphysic of living, were by no means altogether habitual.
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The epic poet has behind him a tradition of matter and a tradition of style and that is what every other poet has behind him too only, for the epic poet, tradition is rather narrower, rather more strictly compelling.
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That is to say, epic poetry has been invented many times and independently but, as the needs which prompted the invention have been broadly similar, so the invention itself has been.
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The world knows of a vast stock of epic material scattered up and down the nations sometimes its artistic value is as extraordinary as its archaeological interest, but not always.
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