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I hope my films will never completely be without the ability to mark anybody.

Lars von Trier

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Lars von Trier
Age: 68
Born: 1956
Born: April 30
Cinematographer
Film Director
Film Producer
Screenwriter
Lyngby
Lars Trier
Never
Mark
Films
Anybody
Completely
Ability
Hope
Film
Without

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Even if you feel all right, tell the actors you don't have full power, and they will help you.
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Far be it from me to force anyone into either chess or dressage, but if you choose to do so yourself, in my opinion there is only one way: follow the rules.
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That's the great thing about entering a convent: There are things that you simply can't do, so you don't have to worry about them
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The risk is that you furnish the project with new suggestions to try and freshen it up it's not always beneficial. You risk betraying the original intention with the story, forgetting what it is you really want to portray.
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When I was younger, I was fascinated by David Bowie, for example. he had created an entire myth around himself. It was as important as his music.
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One of the things that got me thinking during therapy is that they say that fear is only thoughts, and nothing will happen because thoughts will never be real. And my thesis, or joke, in film Antichrist, is that they really do become real.
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I can't tell you why I choose stuff, it's really something I don't analyse. The only thing I can say is that a film has to demand to be made, I don't have a plan of what films I'm going to make. The only thing that I know now is that I'm not too crazy about doing things again that I've been into before.
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Just the fact that you're working is good for you.
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I'm not a woman! Let's make that very clear! Oh I don't know, maybe I am. I am an American woman. Or 65 percent of me is.
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Perhaps the only difference between me and other people is that Ive always demanded more from the sunset.
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I did a lot of strange things. But I am a bad Catholic that's for sure. Although I think it's difficult to believe in evil.
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If I made a musical in the beginning of my career, it would have been crane shots and tracking shots and people coming out of cakes and whatever, but these techniques are something that I’ve left behind me.
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Evil gives you far more strings to pull. But I must say that I have never been interested in the psychology of evil, not in the slightest. Perhaps I'm not interested in evil, but in the dark sides of human beings.
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I come from a family of communist nudists. I was allowed to do or not do what I liked. My parents were not interested in whether I went to school or got drunk on white wine.
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I encouraged the cast to make up their own lines.
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Unfortunately, on one or both of my shoulders sits lots of anxiety and that is a controlling factor in my life.
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My films generally center around thousands of pictures being flashed in rapid succession to create the illusion of motion.
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There is no creative expression of artistic value that has ever been produced by ex-drunkards and ex-drug-addicts. Who the hell would bother with a Rolling Stones without booze or with a Jimi Hendrix without heroin?
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Only a fool does not fear actors, but you can't beat them, and if you can't beat them, join them, as they say. As I've got older I've become very interested in that part of the work
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I like gardening. I'm really a nature man. I spend as much time as I can in nature. I feel really safe there.
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